魔鬼的%**:陷阱
简介: 【魔鬼的%**:陷阱】 In the time of Counter-Re%` forma@tion , a miller a\/_nd hi%?s son come -/)und $er /\investig *ation by a priest of the Inquisi= tion, when rumors] spre .-ad t;hat th(-eir prosperity#, /c*omes fr%;om wor? king *wi: %th ,the Devil.]# The De)!*v_=il's Trap is a f !$ilm^ directed b *. @y ,`Františ-ek Vlá?(_i!+=l , based on a novel by Al :fréd@!%= @Te\=ch? nik, adapte^d[:\; by František A:/(. Dvor%`ák and( Miloš (Krat ochvíl. );It wa , s the fi-rst _%of?[ th=,ree historical dramas/ that, Vlá/;?il ma?d\^?e d* u: ring the Czech New W_ :/ave (^] ^technica]lly @\* [he\ /% $isn& ))?`#39[ t really*/ , a part of the Ne; /w Wa)` ve, however #these (?films wer!e ma:/ d !;:e during th^(\e same era of artistic fre=* ed:om), precedin-^?g his more-; w+%el\.#$!l [ known .Ma*rket@a Lazarová/ (19,67);, and V+,alley of t@.he ^ Bees (1968). Set= in the*^ la_ =`[t?^e 16t=h Century during the Catho:^lic Ref\ ^o^^#rma) tion, in the Moravian-= Karst, si@`tuate ) d .in what is now the Ea;` ste=@ r/-+n Czec/\+h Republic, i! t t /ell+s the tale o$\f a -*$%mi_;_ller (Vít. e` $^zslav Vejrazka), and hi@ s son Jan;*\# (Vít@@ Ol)-m.er)]@, who/:@ come und /er suspicion *$ #and are in-`v[estig!;ated by a] Jesuit p riest of the Inquisiti( ,\on[ (]=Miro# slav Machá=%?ch*+ek), when rumors of witch;cr[*aft are spr _ead by the l% .oca l regent ( Cestmír R anda), who - is jealous o % f the,# mi:ller 's prosperity and de-[)gr?`ee of . respect a% #` mon@g the lo[\cal popu[@*lace.. \# A+\ \s exp+e cted from Vlá?il, this film i, s a stunni%n)$=.g experi +_enc/ ^e all_+# t`@he way t-hr_\ough ]. $/Fr @ o+m the openin g ]shot , an : om-ino] us m$+ anipulation o/:^f perspe[ctiv,e, with$^$ a clo;.se up of a mangl`.#e !(d figure of Ch @rist dom_ina:#ting the _for^[\eg)` round\+ against \a ti-^- ny.#* figure ;/ ,in black walkin[-g along? the hori zon, to the breathta king confr?ont`a:^ tional finale in ++side the vast sta` +lac: \tite filled Kars@/\t+ cavern\s, it; is a wonderf^? ul display of vi?(`sual m# @ as@ tery) .. ?_ Ma@y@ be n!\ ot quite as _! imp\:\ressiv( e as Mark+!`eta Lazarová, but still full !of as ^+tonishing ima[^ ^gery. As,= seen from uniq@ ue* angles :*and disti : nct! po;_)ints of view `:which hi _ghlight the*( di rec/: tor'.s re $markable sense of [-a_ wa=re \_ness of f`ra,;m` /%ing, motion, a! nd p=ositi oning on the emotional and )\ dra (_m# atic tone of the scene. Th; e most memorable being,`$ a repe .ated ]#/sh[[` ot where the camer $ a is sus..pended and launched with speed+] ] through the air toward@\/(/s the miller& #39s d@= oor!$#. T he story- here i_ s a simple one and I would .? =#?say ,*more accessibl[,e ,th a n his later \works. *; With [,a conventional!? structure /,em.-phasized #as -?;muc])h by \ its@ , p; lot : and characters, t\/ha/:n )+ =by it=s expressionistic cinema#t .\o`^ graphy@=` ` or authentic hi*+ stor=#ical detail. The events*-` play o// ut - withou@-%t much surp\`]r ise, and ther`e #:is ?)a!= strong un derly%#ing ,-. almost supernatura/!+l! , mysteri_ous aspect th.-$-at i, s left unresolv _%ed,! i+`+ n*.[\) fa\ct barely e/xplored, w hi] ch\, is sl.ightly .di sappointing, but only because it's so fascin#- ati#:ng % th[.a t I wis [,h ther*__e was- more. Ac`ting is# great all around. Particularly ]the vi[- ll^ ains: Miroslav Macháche *k a s th^:e priest, casting a sini=s*[ ter and$ imposi/+;/ng (shad( ]o.,!w ] w`%herever h e g[!\*oes, and`,+ [Ces#.tmír Randa as; the]= _;*we^%, asel l% ike regent behi) nd all th`,e persec$@_utio ^=n^. W hile V í?t Olmer brings a charismatic -]le: ^ading) m *a+ ]n: presenc .e(\ in his role a$+!s the m `il?l er's son Jan, in love with the lovely[ orph*=an girl ?/!Martina (?! K#a$rla Ch:(a\dimov/_á) #,# who be;com::es a d%angerous ob: j:[\- ect of rivalry ? b)=et- ween ) Jan and^^ $ othe # -r young m -en^? o f the village. ^?^@ Th@_e film also f( e- a tures the ev, ocative mus#@\ic of,% Z.@ den?=`k L(iška (p _,erhaps the most prolifi= c composer of the Czech New Wave)\`$\. In t \h/i )s h+$ is]`/ se$cond of +]/eleven collab))ora- %.ti. o?]!/ns wi - th Vlá?il,@-% his* compositions are used s paring= .ly, but to;$$+ -great effect, complimen.ti `)`ng but never overpowering a scene. The best example of whic h can be heard =in a n / a.mazingly shot celebratio,n an\(d dance seq\#`uence. at +!the .end of t @;he second act. The Devil's Trap_ might not [be a masterpi:? ec@ +)e, bu [t it ^^ i!s stil@;l a strong effort, _!- wi%_th a fascinating st],@raightforward #@@s[:tory and a glo,riou s[ ` hist*]!orical s]$=/.etti.+^ng (.+cap+ tured beautifully by Vlá?il=`'s un mistakable visua- /l prowess. A fi\[]ne work t`^ hat [ wo! uld also be the perfect starter pl@: @.at_ e ).to pre;$par;: e // yourself# for the ch*(al%le) nging ++fe$ \ ast :of _ /!M./$ arketa L)a@`?zarová o [?r The Va ^lley of# the ] Bees. It even has an easy to.: .d?/igest r#-unning ti#%`me. [:It' ,s there`$ fore^: puzzling why t [`his gem remai+]n:% s lar\ )gel#*y overlooked * a `nd `ignore !=d.
剧情简介
【魔鬼的%**:陷阱】 In the time of Counter-Re%` forma@tion , a miller a\/_nd hi%?s son come -/)und $er /\investig *ation by a priest of the Inquisi= tion, when rumors] spre .-ad t;hat th(-eir prosperity#, /c*omes fr%;om wor? king *wi: %th ,the Devil.]# The De)!*v_=il's Trap is a f !$ilm^ directed b *. @y ,`Františ-ek Vlá?(_i!+=l , based on a novel by Al :fréd@!%= @Te\=ch? nik, adapte^d[:\; by František A:/(. Dvor%`ák and( Miloš (Krat ochvíl. );It wa , s the fi-rst _%of?[ th=,ree historical dramas/ that, Vlá/;?il ma?d\^?e d* u: ring the Czech New W_ :/ave (^] ^technica]lly @\* [he\ /% $isn& ))?`#39[ t really*/ , a part of the Ne; /w Wa)` ve, however #these (?films wer!e ma:/ d !;:e during th^(\e same era of artistic fre=* ed:om), precedin-^?g his more-; w+%el\.#$!l [ known .Ma*rket@a Lazarová/ (19,67);, and V+,alley of t@.he ^ Bees (1968). Set= in the*^ la_ =`[t?^e 16t=h Century during the Catho:^lic Ref\ ^o^^#rma) tion, in the Moravian-= Karst, si@`tuate ) d .in what is now the Ea;` ste=@ r/-+n Czec/\+h Republic, i! t t /ell+s the tale o$\f a -*$%mi_;_ller (Vít. e` $^zslav Vejrazka), and hi@ s son Jan;*\# (Vít@@ Ol)-m.er)]@, who/:@ come und /er suspicion *$ #and are in-`v[estig!;ated by a] Jesuit p riest of the Inquisiti( ,\on[ (]=Miro# slav Machá=%?ch*+ek), when rumors of witch;cr[*aft are spr _ead by the l% .oca l regent ( Cestmír R anda), who - is jealous o % f the,# mi:ller 's prosperity and de-[)gr?`ee of . respect a% #` mon@g the lo[\cal popu[@*lace.. \# A+\ \s exp+e cted from Vlá?il, this film i, s a stunni%n)$=.g experi +_enc/ ^e all_+# t`@he way t-hr_\ough ]. $/Fr @ o+m the openin g ]shot , an : om-ino] us m$+ anipulation o/:^f perspe[ctiv,e, with$^$ a clo;.se up of a mangl`.#e !(d figure of Ch @rist dom_ina:#ting the _for^[\eg)` round\+ against \a ti-^- ny.#* figure ;/ ,in black walkin[-g along? the hori zon, to the breathta king confr?ont`a:^ tional finale in ++side the vast sta` +lac: \tite filled Kars@/\t+ cavern\s, it; is a wonderf^? ul display of vi?(`sual m# @ as@ tery) .. ?_ Ma@y@ be n!\ ot quite as _! imp\:\ressiv( e as Mark+!`eta Lazarová, but still full !of as ^+tonishing ima[^ ^gery. As,= seen from uniq@ ue* angles :*and disti : nct! po;_)ints of view `:which hi _ghlight the*( di rec/: tor'.s re $markable sense of [-a_ wa=re \_ness of f`ra,;m` /%ing, motion, a! nd p=ositi oning on the emotional and )\ dra (_m# atic tone of the scene. Th; e most memorable being,`$ a repe .ated ]#/sh[[` ot where the camer $ a is sus..pended and launched with speed+] ] through the air toward@\/(/s the miller& #39s d@= oor!$#. T he story- here i_ s a simple one and I would .? =#?say ,*more accessibl[,e ,th a n his later \works. *; With [,a conventional!? structure /,em.-phasized #as -?;muc])h by \ its@ , p; lot : and characters, t\/ha/:n )+ =by it=s expressionistic cinema#t .\o`^ graphy@=` ` or authentic hi*+ stor=#ical detail. The events*-` play o// ut - withou@-%t much surp\`]r ise, and ther`e #:is ?)a!= strong un derly%#ing ,-. almost supernatura/!+l! , mysteri_ous aspect th.-$-at i, s left unresolv _%ed,! i+`+ n*.[\) fa\ct barely e/xplored, w hi] ch\, is sl.ightly .di sappointing, but only because it's so fascin#- ati#:ng % th[.a t I wis [,h ther*__e was- more. Ac`ting is# great all around. Particularly ]the vi[- ll^ ains: Miroslav Macháche *k a s th^:e priest, casting a sini=s*[ ter and$ imposi/+;/ng (shad( ]o.,!w ] w`%herever h e g[!\*oes, and`,+ [Ces#.tmír Randa as; the]= _;*we^%, asel l% ike regent behi) nd all th`,e persec$@_utio ^=n^. W hile V í?t Olmer brings a charismatic -]le: ^ading) m *a+ ]n: presenc .e(\ in his role a$+!s the m `il?l er's son Jan, in love with the lovely[ orph*=an girl ?/!Martina (?! K#a$rla Ch:(a\dimov/_á) #,# who be;com::es a d%angerous ob: j:[\- ect of rivalry ? b)=et- ween ) Jan and^^ $ othe # -r young m -en^? o f the village. ^?^@ Th@_e film also f( e- a tures the ev, ocative mus#@\ic of,% Z.@ den?=`k L(iška (p _,erhaps the most prolifi= c composer of the Czech New Wave)\`$\. In t \h/i )s h+$ is]`/ se$cond of +]/eleven collab))ora- %.ti. o?]!/ns wi - th Vlá?il,@-% his* compositions are used s paring= .ly, but to;$$+ -great effect, complimen.ti `)`ng but never overpowering a scene. The best example of whic h can be heard =in a n / a.mazingly shot celebratio,n an\(d dance seq\#`uence. at +!the .end of t @;he second act. The Devil's Trap_ might not [be a masterpi:? ec@ +)e, bu [t it ^^ i!s stil@;l a strong effort, _!- wi%_th a fascinating st],@raightforward #@@s[:tory and a glo,riou s[ ` hist*]!orical s]$=/.etti.+^ng (.+cap+ tured beautifully by Vlá?il=`'s un mistakable visua- /l prowess. A fi\[]ne work t`^ hat [ wo! uld also be the perfect starter pl@: @.at_ e ).to pre;$par;: e // yourself# for the ch*(al%le) nging ++fe$ \ ast :of _ /!M./$ arketa L)a@`?zarová o [?r The Va ^lley of# the ] Bees. It even has an easy to.: .d?/igest r#-unning ti#%`me. [:It' ,s there`$ fore^: puzzling why t [`his gem remai+]n:% s lar\ )gel#*y overlooked * a `nd `ignore !=d.
《魔鬼的%**:陷阱》是法兰提塞·维拉席于1962年创作的一部经典剧情片作品， 由Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉等主演，在其它播出后引发了不少观众的讨论和好评。 影片通过 In the time of Counter-Re%` forma@tio…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的剧情片。
很多影迷之所以推荐《魔鬼的%**:陷阱》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《魔鬼的%**:陷阱》既保留了剧情片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的剧情片， 那么《魔鬼的%**:陷阱》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-10695.html）完整看完。