盲目的丈 夫们

9.8

类型
爱情片
地区
美国
主演
萨姆·德·格拉斯,Francelia Billington,…
年份
1919
导演
埃里克·冯·施特罗海姆
更新
2022-04-27

简介: 【盲目的丈 夫们】  Two differences ^`-between this Aus_/:tria][?n,# ver [sion and the generall:-y / avai);la` b l=e Americ-an v)ersion a( re im(`med#iately\.$ ob,?viou ^s:` they differ bo$;th in th^(eir l:/eng%%\th and in the ;=*l@\_ anguage [ ;o ](%]f th,`$e inte$rtitles\. `% The* Ameri%can version\ is o++nly 1,883 : metr.es# long - (*at 18 frames per s`#econd a $diff[ere[nce of som-+e 7 minutes to the Aus+trian ve/rsion with 2,045 metres. Whereas we origi\(n.`ally presumed onl@)y =-a ne=gli -$gible d\+`ifference, resul$]ting from th`=e varyi(.n/g len[gth=# o:;,f t :*he intertit\les, a direct comparison has n !;e= )v#ert=%heless sh^?,own that the Au#strian version differs from the American versio?n both in the montag:^e^= _an]d in the d[uration\ of in)=dividual +*[@s- cenes_...` Yet ho# w could it +[(happen that the later regional d!i/stribu,(-t..ion  * of a] ! canonical US si)@:lent film was lo[:nger than the# &quotoriginal version &quo(t?  The pr eva(lent Americ/an ver-:_sion of Blind H`u%s,?\bands d\oes $]not correspond to ?]#th:@e vers#io n .sho=wn at #(? the^  premie^@re of :1919. Th(is li@t/#]tle-known f]`act was a;lr@ea$` dy publi)*shed by ^([Richard [,*Ko#. ?s;(zarski;= in 1983. The fi]l!;[m was +re-^released by Univ\@ ersal+]@ Pictures i+*$n% 19!^24, */_in a versi#[/\on th [_ at was 1,365 feet (4_16 metre*+s) short _er. At =]18 frames per second, this am$ounts to a ti$+(;me di(.#f)=ference of 20 mi]^%nutes! "Titles.\ ],were altered, snippe],@t/%!s_ of action% -,.removed a:)nd at lea(@st *one majo!=r scen,#e taken /`/+out ent-ir_ely, wher[\e von[ S?*teu@$ben and Margaret-[ vis,-it :a s+mall local chap -el.&quo_=%(t (Koszarski)  F:rom the present _;state [of r()esearch w?+- e_%=, #ca%!n assume t(hat al?=l the known Americ an c+;.opi:es\ o(f the film derive from th@^is shortened :/re--release v`e-]%(rsion, a copy of which Universal d( onated to the Mus]]eum of Modern Art in 1941. According to K%$$oszarsk/$i t =!]he =ori)(`]`ginal[*` nega`%*tive o f the film [was dest,roye#d #_some(^[time be;_tween [:1956 an]$d$ 19 !61 *_and has= ).the-r* *efore bee/,n irre$%+trie`_va^bly lost., Thi (s informat)]ion casts an interesting li%`gh!t on the A$-:u%@strian @/^v+*!.er/sion@=, which` can be ] *date%:.^d to(_ the` period betwee\n th?]_e summer* of# 1921 and :the win!te)r of 192.!2. Furtherm?\.)[o[r.e[, the copy. is some 200;[ metres _longer# ? th?)+an-^ the US^; (#version of \1%:9/24. If o?[ne+ / follows the de\..tails given by : R] ichard Ko= ,szarski and Arthur Len:=`nig, t*;his mea:;ns; that, as far a;#s both its date . an #%d i+ ts length are concerne\d, the Austr/[=ian ,!version lies almo ]st exact+ly in the middle betw,^;een t)]=he (lost) versio]n s!@hown at the premi` :er. e and the re-rele\?ase _d one#.A large- part(/ of the a ?dditional len@#gth o:[f/#@ t* he film can(- )`be trace+d to cu ^#ts that wer^#\e made to the 192`;:4; ,$ # _#version in a;l.most every?;,^ sho *$t*(. $(Ko%;szar.;ski d[escribes how #@the begin\`ning\ \and ,the ?end o^ f scenes were tri[$m$med, in# ord!!er to "sp_!ee$^d up&q,uot the fi*?lm. Howeve$#r, more exciting% wa s the di,#)scovery that the Austrian versio] %n co;nt=;ai=-$ns shots that ` are- mi_:,ss [ing in the Am%?er:.ican one - sho,t\?s/coun ,%tershots, intertit/#\l!!es -^@ and furthermore shows diff erenc)es=# in it,/s montage (i.e. the p^lacing of the individual sho)ts within $=@a sequence). All this: indicat;e#;=s th*at D$$ie \_Rache der Ber)[g%e constitut(*es! the old!--^est an`d ?most (com%pletely p\*reserv/%ed m!_aterial of) [_the film.

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剧情简介

【盲目的丈 夫们】  Two differences ^`-between this Aus_/:tria][?n,# ver [sion and the generall:-y / avai);la` b l=e Americ-an v)ersion a( re im(`med#iately\.$ ob,?viou ^s:` they differ bo$;th in th^(eir l:/eng%%\th and in the ;=*l@\_ anguage [ ;o ](%]f th,`$e inte$rtitles\. `% The* Ameri%can version\ is o++nly 1,883 : metr.es# long - (*at 18 frames per s`#econd a $diff[ere[nce of som-+e 7 minutes to the Aus+trian ve/rsion with 2,045 metres. Whereas we origi\(n.`ally presumed onl@)y =-a ne=gli -$gible d\+`ifference, resul$]ting from th`=e varyi(.n/g len[gth=# o:;,f t :*he intertit\les, a direct comparison has n !;e= )v#ert=%heless sh^?,own that the Au#strian version differs from the American versio?n both in the montag:^e^= _an]d in the d[uration\ of in)=dividual +*[@s- cenes_...` Yet ho# w could it +[(happen that the later regional d!i/stribu,(-t..ion  * of a] ! canonical US si)@:lent film was lo[:nger than the# &quotoriginal version &quo(t?  The pr eva(lent Americ/an ver-:_sion of Blind H`u%s,?\bands d\oes $]not correspond to ?]#th:@e vers#io n .sho=wn at #(? the^  premie^@re of :1919. Th(is li@t/#]tle-known f]`act was a;lr@ea$` dy publi)*shed by ^([Richard [,*Ko#. ?s;(zarski;= in 1983. The fi]l!;[m was +re-^released by Univ\@ ersal+]@ Pictures i+*$n% 19!^24, */_in a versi#[/\on th [_ at was 1,365 feet (4_16 metre*+s) short _er. At =]18 frames per second, this am$ounts to a ti$+(;me di(.#f)=ference of 20 mi]^%nutes! "Titles.\ ],were altered, snippe],@t/%!s_ of action% -,.removed a:)nd at lea(@st *one majo!=r scen,#e taken /`/+out ent-ir_ely, wher[\e von[ S?*teu@$ben and Margaret-[ vis,-it :a s+mall local chap -el.&quo_=%(t (Koszarski)  F:rom the present _;state [of r()esearch w?+- e_%=, #ca%!n assume t(hat al?=l the known Americ an c+;.opi:es\ o(f the film derive from th@^is shortened :/re--release v`e-]%(rsion, a copy of which Universal d( onated to the Mus]]eum of Modern Art in 1941. According to K%$$oszarsk/$i t =!]he =ori)(`]`ginal[*` nega`%*tive o f the film [was dest,roye#d #_some(^[time be;_tween [:1956 an]$d$ 19 !61 *_and has= ).the-r* *efore bee/,n irre$%+trie`_va^bly lost., Thi (s informat)]ion casts an interesting li%`gh!t on the A$-:u%@strian @/^v+*!.er/sion@=, which` can be ] *date%:.^d to(_ the` period betwee\n th?]_e summer* of# 1921 and :the win!te)r of 192.!2. Furtherm?\.)[o[r.e[, the copy. is some 200;[ metres _longer# ? th?)+an-^ the US^; (#version of \1%:9/24. If o?[ne+ / follows the de\..tails given by : R] ichard Ko= ,szarski and Arthur Len:=`nig, t*;his mea:;ns; that, as far a;#s both its date . an #%d i+ ts length are concerne\d, the Austr/[=ian ,!version lies almo ]st exact+ly in the middle betw,^;een t)]=he (lost) versio]n s!@hown at the premi` :er. e and the re-rele\?ase _d one#.A large- part(/ of the a ?dditional len@#gth o:[f/#@ t* he film can(- )`be trace+d to cu ^#ts that wer^#\e made to the 192`;:4; ,$ # _#version in a;l.most every?;,^ sho *$t*(. $(Ko%;szar.;ski d[escribes how #@the begin\`ning\ \and ,the ?end o^ f scenes were tri[$m$med, in# ord!!er to "sp_!ee$^d up&q,uot the fi*?lm. Howeve$#r, more exciting% wa s the di,#)scovery that the Austrian versio] %n co;nt=;ai=-$ns shots that ` are- mi_:,ss [ing in the Am%?er:.ican one - sho,t\?s/coun ,%tershots, intertit/#\l!!es -^@ and furthermore shows diff erenc)es=# in it,/s montage (i.e. the p^lacing of the individual sho)ts within $=@a sequence). All this: indicat;e#;=s th*at D$$ie \_Rache der Ber)[g%e constitut(*es! the old!--^est an`d ?most (com%pletely p\*reserv/%ed m!_aterial of) [_the film.

《盲目的丈 夫们》是埃里克·冯·施特罗海姆于1919年创作的一部经典爱情片作品, 由萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming等主演,在美国播出后引发了不少观众的讨论和好评。 影片通过  Two differences ^`-between this Aus_/:…, 展现了创作者对于现实生活与情感世界的观察,因此常被不少观众称为“值得二刷、三刷”的爱情片。

很多影迷之所以推荐《盲目的丈 夫们》, 是因为片中无论是故事线的推进,还是演员之间的对手戏,都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时,会发现每个角色的选择背后都有其不得不如此的原因, 这也让整部作品在娱乐性之外,多了一层对现实与人性的思考空间。

从类型角度来看,《盲目的丈 夫们》既保留了爱情片应有的节奏和看点, 又在细节上做了不少打磨:节奏方面尽量避免无意义的拖沓桥段,人物塑造上也不简单脸谱化, 而是通过多场戏份逐步丰富角色背景,让观众在追看的过程中逐渐理解他们的选择与矛盾, 从而对这部作品产生更深层次的情感共鸣。

如果你正在寻找一部既有故事性,又具备一定思考深度的爱情片, 那么《盲目的丈 夫们》会是一个不错的选择。 无论是想在闲暇时间放松心情,还是希望通过剧情获得一些情绪上的共鸣与释放, 这部作品都能够在不同程度上满足你的观看需求,值得在dancihu(dancihu.bgswjd.com/detail-11423.html)完整看完。