总路/线
简介: 【总路/线】 D\ue to some (c*]ommon int_`er%_ests-^] between Germ^an a/]`%nd Russian ,aristo c?-@#(racy ( th/e Ru` ssians .even had =aristoc; + r./ats in their pas]@ t n:_ot ; .[to me%$@n?tion they had an Empress called[) C*); )atheri ]ne the Great, a .s gre+at as$? , %this ^(German count:'s h.,eiress[#es… )!`, it is =not strange th(at this Teutonic count h as )\u^]`nderstood and ev( en e ,njoy*ed H[:e%rr S. M. Eisenstein's [" #Staroye: I Novoye". It is n$ . #ot very usu #al that for the aristocra] cy to en joy [^B:ols [hevist f?ilms full of proletar$ian*@. dema- \?nds t/] ]hat put priv%\ate prope#`rty at ) risk or as it happe!ns/ i (n @ this case%[, a film abou (t ] the Communis!t %`,Party/=^9s policy on ?t@ )/he su `bject of the_/ col[!$le`,\c)!%tivization of th#e Soviet? ag;;/ricul:$%ture. Norm[# ally this w[o`#^uld be perfec+t gibberish for th[is German count,\ b);ut thanks to H:err E]._=i@,) senste`in^ 's greatne%!ss and director@? ial talent, t:=)he hardships o# f the hero+ine% of the film, Dame Marfa ( D -_\/ame Marfa Lapkina ) ?bre:ached eve@,n the ]_thi-ck* arist \ ocratic % )=+\Sc ^\;hloss+; walls.$@ \(^And ;`th*at&# _39s o ne o!f the first remarka:ble : as*?p* e=`_cts of th# is oeu+- -v, re !in spite of the politi%cal subjec )t of th !e film, /, the powerful imag`_es: and -:lyricism ( a ston.ishin/g? and beau)tiful shot compos?^iti-(ons%( ), especially dur![ing the fir st p^_*art ? of the movie, pre_\\serve the arti[ .$stic `@[ me,? rit]s entire%)/l@y while s- :erving a propaganda purpose. The )+@second remarkable aspect of the %_ film _ _is the dich otomy between /the +: old =) ] and new, the fight to impro ve the @ )*lo t of Dame M%=([arfa a%-nd];! her countrym,,;en. There are many\, dis%*$c-? u\% ssions /]b /ecause it is not eas ^y eve-n in Ru%+ss.] ia t\,^o ch([]an$ ge$= ancient and conser)?(vative (\ cus \$toms. Ther[e are superb metaphors , = and so` ci (.%al cr $itici,;sm + ( illi$=te,+ racy, bureaucracy, rel+@igiosity ) which perfectly ; fit $-\ the\: f[]i? lm, and last@ .b`?ut* n ]ot least, &quo-tStaroye I No_.#/voy_e&qu.o.=\t, i s a kind of arc,*haic documentar)y about ancient; ] c[ustoms e@)stabl,[!ish _ed= = deep%l,$y ^ in old Russi^?a , th o$\se ones that o _ .!ur heroin[e must figh*$t again`!s(`t. \And there is also! a lot about agric++%`ulture ( very enl` _ig=`[ hte _ning fo^ r/! this +German* (;] cou :,nt), e-;s peciall *y. :.about harvesting and how to_$ fatten Russian\!^/ cows or pig s ( l;/[iterally,%`-: no ]pu(n her:e *… ). [)Herr Eisens?t,@ ein had to be/!ar@!$ du:^^ring the !last era of his film caree=(-r,[- un bel+,!ievable ce@@nsor-#ship and mutilat \]ion #-\ of his work, as-/% happens w^ith "Staro#=ye I Nov%,oye". The film = wa+s! reedit)**ed and Ei sens_^tei:n a!cc @+use d of sympath[`i,zing w)$ith Trostky'.s poli cie (s b_:u- .t fortuna\ tely %!the film *=w;-as restored and showe[ d by the German-frenchif [ ied t\.v( .#+ channel "ARTE&_quot, natürlich/, !, incl _ ,udi-ng a]([ n? evocative music !*!s`?\core by Her.r Tara+s Bu.j=;ew+ski$ `-, that fits )]superbly Herr Eisenste+in primal artistic in) ?terests:(. + And)+ n#)o%_%:/w, if you9ll a/? llow ]me,.\ I/ ! mus\t[], tempor :a!\ rily (,ta; ke my leave because thi).*s G;$er^]ma#%n-[\ C: +ount must buy \+ _% a trac^`#tor*)% ]fo: r o( \ne %of hi!@ s T eutonic he% iress.
剧情简介
【总路/线】 D\ue to some (c*]ommon int_`er%_ests-^] between Germ^an a/]`%nd Russian ,aristo c?-@#(racy ( th/e Ru` ssians .even had =aristoc; + r./ats in their pas]@ t n:_ot ; .[to me%$@n?tion they had an Empress called[) C*); )atheri ]ne the Great, a .s gre+at as$? , %this ^(German count:'s h.,eiress[#es… )!`, it is =not strange th(at this Teutonic count h as )\u^]`nderstood and ev( en e ,njoy*ed H[:e%rr S. M. Eisenstein's [" #Staroye: I Novoye". It is n$ . #ot very usu #al that for the aristocra] cy to en joy [^B:ols [hevist f?ilms full of proletar$ian*@. dema- \?nds t/] ]hat put priv%\ate prope#`rty at ) risk or as it happe!ns/ i (n @ this case%[, a film abou (t ] the Communis!t %`,Party/=^9s policy on ?t@ )/he su `bject of the_/ col[!$le`,\c)!%tivization of th#e Soviet? ag;;/ricul:$%ture. Norm[# ally this w[o`#^uld be perfec+t gibberish for th[is German count,\ b);ut thanks to H:err E]._=i@,) senste`in^ 's greatne%!ss and director@? ial talent, t:=)he hardships o# f the hero+ine% of the film, Dame Marfa ( D -_\/ame Marfa Lapkina ) ?bre:ached eve@,n the ]_thi-ck* arist \ ocratic % )=+\Sc ^\;hloss+; walls.$@ \(^And ;`th*at&# _39s o ne o!f the first remarka:ble : as*?p* e=`_cts of th# is oeu+- -v, re !in spite of the politi%cal subjec )t of th !e film, /, the powerful imag`_es: and -:lyricism ( a ston.ishin/g? and beau)tiful shot compos?^iti-(ons%( ), especially dur![ing the fir st p^_*art ? of the movie, pre_\\serve the arti[ .$stic `@[ me,? rit]s entire%)/l@y while s- :erving a propaganda purpose. The )+@second remarkable aspect of the %_ film _ _is the dich otomy between /the +: old =) ] and new, the fight to impro ve the @ )*lo t of Dame M%=([arfa a%-nd];! her countrym,,;en. There are many\, dis%*$c-? u\% ssions /]b /ecause it is not eas ^y eve-n in Ru%+ss.] ia t\,^o ch([]an$ ge$= ancient and conser)?(vative (\ cus \$toms. Ther[e are superb metaphors , = and so` ci (.%al cr $itici,;sm + ( illi$=te,+ racy, bureaucracy, rel+@igiosity ) which perfectly ; fit $-\ the\: f[]i? lm, and last@ .b`?ut* n ]ot least, &quo-tStaroye I No_.#/voy_e&qu.o.=\t, i s a kind of arc,*haic documentar)y about ancient; ] c[ustoms e@)stabl,[!ish _ed= = deep%l,$y ^ in old Russi^?a , th o$\se ones that o _ .!ur heroin[e must figh*$t again`!s(`t. \And there is also! a lot about agric++%`ulture ( very enl` _ig=`[ hte _ning fo^ r/! this +German* (;] cou :,nt), e-;s peciall *y. :.about harvesting and how to_$ fatten Russian\!^/ cows or pig s ( l;/[iterally,%`-: no ]pu(n her:e *… ). [)Herr Eisens?t,@ ein had to be/!ar@!$ du:^^ring the !last era of his film caree=(-r,[- un bel+,!ievable ce@@nsor-#ship and mutilat \]ion #-\ of his work, as-/% happens w^ith "Staro#=ye I Nov%,oye". The film = wa+s! reedit)**ed and Ei sens_^tei:n a!cc @+use d of sympath[`i,zing w)$ith Trostky'.s poli cie (s b_:u- .t fortuna\ tely %!the film *=w;-as restored and showe[ d by the German-frenchif [ ied t\.v( .#+ channel "ARTE&_quot, natürlich/, !, incl _ ,udi-ng a]([ n? evocative music !*!s`?\core by Her.r Tara+s Bu.j=;ew+ski$ `-, that fits )]superbly Herr Eisenste+in primal artistic in) ?terests:(. + And)+ n#)o%_%:/w, if you9ll a/? llow ]me,.\ I/ ! mus\t[], tempor :a!\ rily (,ta; ke my leave because thi).*s G;$er^]ma#%n-[\ C: +ount must buy \+ _% a trac^`#tor*)% ]fo: r o( \ne %of hi!@ s T eutonic he% iress.
《总路/线》是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫于1929年创作的一部经典剧情片作品， 由Marfa Lapkina,M. Ivanin,Konstantin Vasilyev等主演，在其它播出后引发了不少观众的讨论和好评。 影片通过 D\ue to some (c*]ommon int_…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的剧情片。
很多影迷之所以推荐《总路/线》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《总路/线》既保留了剧情片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的剧情片， 那么《总路/线》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-12011.html）完整看完。