马丁

剧情简介

【马丁】　　+Martin (John Amplas),# a y,!oung man wh
o l !oo)$k]$s:# _(%arou?nd 20-(years/-ol=*d[ , * boards a tra[in ,i,]
n \(\I,@_ndianapolis, *$`Indiana for New York. At nig;h-_\t, h/]^e _` brea ks into a sleepin=. g .._car and sedate;;s a woman w* ith [-a  syr?.inge/ f@!-ull of na?(rcotics. She struggles, bu;t;/ he:)= te *\lls her n^?%ot to stru\,ggle or b?[e\# upse ^t b%(ecause s@he wont feel pain. Afte%)r;/ a*; few minutes, the+ woman falls asleep\!, !and ^Martin h .as-= 
sex with +[the unc;;onscio*,us w[)oman($. ,After:wards ,%, h;e sl_%$ices h e]/r w![rists with a razor blade so/@) he c`=#an`. drink^
?her blood. The woman blee(\^ds to de=%;ath in h%_er sle(e\p.　;][/?　In t
he % [( m_[]+orning,- \ the train stops ?]_in$) Pittsburgh, Pe,nn=]syl]vania w, h]ere Marti\+n)) dise`:*mbarks. He is met by /_Tata Cuda (L@ incoln 
M`aazel) an elderly an! :$d %[hostile old man _
wh^
o claims to; be his)_ cousin from th;? e Old Wor
!-ld. (!%^Toget[her, the@,y%: tra:vel b_;y another train to th_,e town of*) Braddoc![%k,+ a dying!;
[industrial (^subur:b. They w%;alk to Cu[da? &#//=]?39s large hous^(e where h[e sh(o#*]ws Martin;  his livi%*)!ng quarters. Cuda then accuses ;Mar(t %in of being an 84-year-old va`:m-(pire$ from his old coun`]try.,* He has ta[ken in Martin bec =ause h^@e is family, ^,but tells h(])%im,_ _"First I wi+/ll sa-$]v;e you ^-r soul. The+/n, I sh:all d#_%e$stroy you.&\\.quot Ma=(rtin :den%@ies b eing ]a @(=vampir-[e^`?\ an)d = impl #]ies?]$ that Cuda^? is?^ merel _#y his uncle[  r $athe$$r t*h%an hi
s cous(
in. C= @uda then puts[ u/\:,p strings o +f g`-arlic on the d-oors to   hi %s and his gra;
ndd /augh[^ter('s  ro*$-om,*) and th\en holds up a small c,*ro
[ss =?when Mar[tin $a]:pproaches hi/^m. Martin- $ t akes awa.y the cross, and [e++ven take; s a ;#bite of the ,gar!?lic mocking the -se att empts by saying =.
*bitterly, &qu]otThere's =
@no real magic*-... ever"
.] Cuda^ t/-el$``ls Martin th
.^at h; e can come ]and go as %)he pleases. $B]\ut he also (]war\*ns Marti\`n that he )_\w\ill kill=,  h)+im i%f he ki ;lls anyone in Braddock. He als
o tells Martin  to stay?@) away ;fr)om hi!=)s grandd?,#aughter Christine $`^?(C$hr#,istine; Forrest), whom a:^:!r_)r(.ives h)(ome fro]+m he+r job+ ,tha@t +/ evening.　　Cuda introduce(s Christ=ine to Mart;^\:in, $%@but#\ also war]`ns her //t?o(-) sta.y a+way from  him. But Christine;[/)) =\instead strikes u+!p,,- a friendship /wi`th M? /artin who!  con+^fides in her about his v*\ampire h eritage. Whe!?n Cuda l=`?at%_er c#onfirms Martin _-9s claims to be  a vampire, Christine, not.  surprisin\/)g-ly ^^, refuses to believe either one. She \]] t#)hink*s that Cuda and the other members! of-@ her =fami@!ly have driven M artin to/ insanit y by !%]making him think that he is a;` vampire.# It is never r`$;evealed );
i\f Ma.%rtin r/.(:eally is a vampire, or just a shy and lo@n=+ ely yo)`uth with@ t#(=roubled issues. Chris+=[*tine is the only pe=.r@[\.s)]*];on that $+Mar/= t_in ] get^\#s the cou,:rage t):o tal !
k to. When(, Christine&#
39s ,?boyf[riend  Ar--t(h?=$ur (Tom Savini= ) ^
arrives at the house f;/,o+#$r dinn!=+er=*=, ^Martin#_]] *sto ^,ps t`%alking and backs )
a@w@ay d`!)esp ite A..rthur& ., #39@s attemp;\+/t at a convers!#at\ion. Christi-ne l``/_a?ter confides i#-!
n M^a% :r!tin that s*$he h:op ;es to leave Br)addock)! someda++y  with $*)Arthur,]`!= even % though@$ M)@@a!rtin points ]out that]^ Arthur treats !her badly/\ a ^nd is both verb(@@ally!,) and p
[hysically abu)$si`ve towards her.　%　When Chri/$st`-ine sees that$ :;M-#[ar@tin won't /talk to anyone \ / e][#lse, she) buys hi*`^?m a phone$ which he( i`ns*(ta-:%lls in his ro_om. Martin begin s to repea ^tingly call  a radio ta?\lk show where / he descr$
/ ibes =
]what it's like to $`(be a vampire$! . He bec+ ^ o ($mes known [)on the radio%# as "t\he^;/ Count" to al;@=+l the li\
$\ste) ^\ners. But the$ patronizi\`*ng host (Michael Gornick) thi$ nks he's just c\+r[)azy.　　M$a_rtin gets a#;: job #a@t Cuda?!&,?%#39s ) gr#ocery store of st\$oc;#king shelves),
% hauling@% boxes around, and +even #;gets to be a delive# ry boy for some of the custo_%.%mer ^*s. One[# of his customer/)s is a. certain Abby Santi!ni (E%)lyan!][e Nadea-_u), *who`_ beco\#mes taken= [ in, with Ma^
rti,*-n[[. Sh``*e-, is %+a v:/_[er#y frie+ ndly
%
you @ng woman @@ w^h:)o is depresse])d when she# tells M$\artin that her husband is
-,$unf\ai:t`,hf#/ul. B ut Martin stil^l ;;doe)s not have the \nerve to^ talk with he$,$r, so she is happ_@ y to ?\have` so#me_on,#(e to conf#*\ide i,=n w,)ith ,her life problems. Martin, phone?$s the ;//radio show host to de$#scribe h@is ]in[ fatuation with;` t+)_he ho,?usewife and sen^_se!?@s th]@.:at she wants to %/h^%av.e sex wit^h him. When: -the radio sh$ow host asks Ma^,rt[in if it i
\`s a sexual problem tha^#)t h=;e?? has involving w%:omen criticizing hi](
m `during sex, Ma_=?rtin rep!-lies that he= ha]\#s never had sex wit?_
h a woma]$=n who wa*+#
s awake.　　On/
e day, Martin travels by t]rain to#,
out/sid:e Braddock t*(@o .]l#[ook fo?r victims. At a supermarket, he -:fo\*llows )#^ a you%@ ng woman $%(Sarah Ve*:nable) ho)]me to ?:h?`er @ !+p/osh su;burban/
h+ ouse=. H_%e sees the ,wom[?.#a]@$n's husband-# (Richard Rubens tei@@n() leave, fo^ r a] `[ long bu_]#sines,#s trip, and Mar,/`tin decides ^?th:`_^is would b`e*` the right tim#e for more ]]fe)eding. Marti,n[ retu,rns to the ho[ use after d] ark and %breaks; i n thr_]\oug(!h the g!`;ar@[age door. [^\But it is Martin who g!$ets t[))he )surpri`@;se+$ when he b_ursts , ,into her !\bedroom to find he@#r [ ;];in`. bed with@# h?[+e?% r =[]adulterous lover ?+.Lewi@-s (^ !Al Lev)^itsky). $@]A:f ]ter a vicious struggle, Mar ]tin ja@.bs both of th[;em with %_hypr+odermic ne-e *dle=s with narcotics, and w$(aits[: for t*$,.+h-e *d]rug_s to take affect. %He drag)@%s@- the unconsci[ o[.us bod@+!]y o*f  Lewi(+s from-)$+ [the ^hou$=se \, to a clump of_/ trees acro/^s!=\;s,
:^ !the street w[)here he kil*ls] him by;`: shoving ).a broken t.-^ree]/[ branch into his neck and drink s hi
s blood. Mar`tin )*returns+[ to the@\ .=house )_;w\[he()r`$$/e h ,e has sex with the.\ unconscious `wom%an. B*ut out (of c
=ompassion and pity,! he de $c$^\?ides \to let h*[]er live.　　Martin be /g,(ins\ to h[-ave romantic mon+ochrome ,/#v%$isions o* f h i*!s ,@v_ampire past (real or imagin`ed), where he drained bloo%(d from a young. wo@ man and w]=a`s chase\d (through the streets o
f a *nameless European town by a torc;(h-#_lit?^ mob.　@;　During #one,[ S%
u nday at church, Cuda bri$ngs ho+(me Father H =,o*%_w)$:ard (^George A. Romero) who a,)sks#^^ him abo!$- ut the [possibility of exorcism and de_ :mon,`\^ possession. Fath=%].er=@ Howard calls upon the elderly Father#\_- Zule:%man@$$s (`#Clifford For$^rest?(,, Jr.)
-o ?/ver at ? Cuda's%  request.  %Together[_`\, Cuda and `//:Zulemans confron  t Mar!^(,ti^:n his bedroom=$ and a`](ttempt t+@o p+^erfor!%m an exorcism on hi_@$m. A`\t th@?$is point, Martin re :membe,@r:?s (anothe
+:r r$eal @,(or# ima-^%_gina-ry fl a(+shback)=:, in
the!*( Old C:!ou@ntr]y of _?=*people trying to p)_?)erform an exo\(?rcis.-+m on him, and .^#he#+ flees the!)-m. Ma=:rtin the]:@n fl$ees ]from %*C [ud=%/a and Z =ue=(lmas a +%%s w.el^:,l.$-# A_ little] \?later that nig)ht,[? (Mart;in terro\]rizes Cuda in a children's playgro!%_un d when he pu]@ts on \-(#a=,/ Dracula ca`!%p\e%  and` @!puts ;@fa=lse fangs into his  m^ou$t %
h to \#pre`, t!end )that h%/e= really is a va+mpir% e.　　One day, Martin fi/ ^nally musters )*th@]e courage to talk*,+) wi th M r#*;s. Sa=[ (]ntini= \#during a%- routine deliver;$y t* %o her ho`@use where he tells he@r that he_+'s awa.@re )of= her attemp/(_ts @ t^;o sed uce him a_`nd wa@ nts n?ow to h/ave s;,( ex -= with he
 r. Aft$?er ha(ving s.\ex! [  for the fi%r]^st t?im\e, )]Mrs. San\tini becomes more depressed f -or sh#- )e tells Mar@ tin [!
that her _h[\usban%.d just left=! her b
*_^ecause she discovered that she cann:^ot=+ bear_ \ ch`$il [%dren=, a%nd: that[ her desire;%*s towar-
ds him` are b# ased on sex and: nothing els(%*^e. But Martin want
@s [(=to stay _with her and h%=]elp her move /^on) %with her life.^:! Martin tells ,the rad (io show hos/t about hi\(s affair w)ith _the ho?usewife and th:[a^@_t he n)-$o @^longer h(a(s th e u@rge to attack o_@ther women.　@^　Mea^ !nwhile, Arthur meets with Cuda and tells h+im t-hat he wants Christine to leave-
^ town w*,ith hi`=-m so they can get m*#arr`ied and start a family. Bu`t C[`)h*ristine be*comes a$n g=!ry! a_`@t C!uda !. when he tell#s Arth_
ur  that% i-nsanity r):^uns i^n th?!=/eir fami; ly and= he should n't ^%-consider having children wi_t[;h h?er. Sho`rtly aft: _er_wards, Ch;$ristine packs up and ?*=leaves Braddoc k f,or New York with Arthur d_espite Martin t_:elling he :r that/ Arthur is abusive toward)! s +;!her. But her mind is m.a, d]e up. Before l;/e]!aving,  Christi@$ne [tel].ls Martin tha$`=;t she really  _-h=as no ill feelings towar @ds ?_$hi(_m a
 nd/); j
ust wants to mak@^ e a fresh;\ start\ with her life. S;;he sa/ys `-goodbye to him and promises to w rite. Bu!` [t Marti- *n kn#^ows that wi[
?th an/
 abusive #;and po$sse %#ss!*%i^+ve m-a#n
^ in C hr],isti(ne's (_life, she probably won't.　　D*+e*
^pressed over _losing his  o!;ne true friend#, Martin phones the radio s)h/+ow host an)
d tells him that he's getting *&= *q=u otsh?]*ak@y@=" and :wants to go out l+-oo^king for more victi
_ms. That night, Mar.tin trav(%els to a rou[gh crime-%;+r-idd= en area +)of Pitt%=sb)urgh and att ^ac ks* t[%wo derel?!i@cts !-in a alley, injecting them with narcotics. He kills one of th]? e[;%m by silting the
 + / \)bum&
]#$39s wrist and
) \:drinki %ng h?i/;`s blood!. Martin is abo?]]u` (t to kill the second one w he,n a police#, ! car shows up and gives chas-;-e. -*^Marti=, n na-+r;rowly esc+a -
pes ^.d*)uring,] a long cha+\se on foot  which leads f #rom t\he garb?age strew streets !. a.[nd )*thr]+$/ough a  local store. Martin:%? r(
:uns-@ int. .o an )ol/d ^wa`rehouse$% where a dr?(ug de- )^a!l+[: is goi,#@ng down. A.*_ shootout between the tw(\o c%\ops and the th: _ree thugs b]=egins where a=:ll o
.f the,
m ar!e killed__, leaving!+` Martin as .(the sole survivor who casually walks away fro\m the ca rnage.　　One da**y, Ma;
-rti!$n find s  ?Mr.\s. Santini dead in her bathtub, after she*], :
)had $slit he r ) wr[#$its wi`**th a razor$ bl$?;ade. Mar]ti[n ?anonymousl@y calls-  the police (to re:po  r(#t th(.e body and leaves. He ph.#.ones the radio show host ]..one final time _ to say that he reall(y doesn't nee;#.#d friends( or people to talk to for he is [ hi
!s. `^.own perso,%n. B@ut wh?[en C(_uda learns a^,_+@bout .\ Mrs. San/ -tin(`i&)*#39s suicide., is mist_(akenly+ thinks Ma
\rt.]/in killed/-^ her and made it l\=ook like _$-*a *suicide as -,+;@he%'s ;done# before.
C*:^uda walks int_/o Marti
n's room w]%`hi===le he[: is asleep a)=:nd`;! kills him _ by hamm
`er\/in\g a woo#_@/den stake! %_-,th-;.=rough +Mar;?tin&:#39s h_eart.+　　Cuda bur_ies]  Martin))'s body in h/%]is b$ack ga^)
rden), $?w+hile ove$r ]the closing c!,*redits vari_ous+
+? voic.,
es from people-/%+( are heard t)/@alking to the ra
dio show host as/ kin^g$ _ `]the whereabouts o
+f "the Count".

《马丁》是乔治·A·罗梅罗于1978年创作的一部经典剧情片作品， 由约翰·艾姆普拉斯,林肯·马泽尔,Christine Forrest等主演，在美国播出后引发了不少观众的讨论和好评。 影片通过　　+Martin (John Amplas),# a y,!ou…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的剧情片。

很多影迷之所以推荐《马丁》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。

从类型角度来看，《马丁》既保留了剧情片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。

如果你正在寻找一部既有故事性，又具备一定思考深度的剧情片， 那么《马丁》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-12393.html）完整看完。