外星 =@恶客
简介: 【外星 =@恶客】 ,^ Out :` of *^ the fifties '][!B' Science ;-Fiction monster movies, t!+his ea !sily ranks as^ the best. It's most notable)% as .`the f( ilm that ALIEN is an ^ unaccredit ed r!!emake ?[o#f, thus givi#;%=ng -it a_(= cert[ain histo @ rical significa?%[n-!ce.- @ The intriguing;(^ plot ^ is about the%\ rescue of the= only marooned ]survivor (C-ol@. Carruthers) of ?(an i /;l [l-fated expedition ]\( to ! Mars. The a; u#%thorities, p* ,;ig-headed as /\usual, ( f$alsely * assume that he murdered h)- is \%f[ellow cre,w members, so t)(ha#t he'd have mor+\ e prov) isions t.[:.o survi, ve h*e#nce he `( is being brough;t back to Earth to \face co\urt-ma`rtial fo /r m?: ur_.#+der. (There is a#(lso a . `somewhat _(interesting @)[plo/t reversa:l here:# M;%ost$*_ movi es o]/_[f = this ` na#ture us*%ua[ lly begin w it$`h the shi*(/p .leaving Earth, = e[n $r( o u#te to its otherw] orl ?d de \-stina#) tion, w!hile, in thi s case, the ? _&qu ? otstory" ?% is b elieved $_finishe) %d, and begins as* the ch a @=racters take-off from t #`he oth ,er_^ plan]%et, return] %ing to Earth(/). As the rescue s-@#hip ^(/is leaving Mar-] s,. a l^=urkin _. g, o+mi\$`nous shadow is seen?. .!in the *.lower * co?mpartment. (A fr*=?\ightening, ;+:atmospheric moment^.^, accomplis[^h; e `d through - ?!sh!eer econ(*]?o!my and .\]\:simplic!! it/!:y)_. Car.! .rut%[((hers i.nsists o [f his\ innocence to his fe\llow captors/%, claiming tha:^`t hi(s(/ o_ rig(:ina??, l crew m!@ ates were s: :la;[ughtered by a hostil!;e, unseen presenc.%e on th]_e d):es% ol?ute/ ; r +%.ed plane^ t ) , but three-gues!ses as to their reac\ tion to hi s _unusual plea %.. Natu #rally , h : e] can't ]?=prove it,$^ [ , a,@nd 50/% -&#/\;39s spac $*_e a, ?uth#o[!rities were not v;/\er% y [alien co. n\,science-@ $ at th *e t_i.m(-e.[$ _,(As a .; side-thoug#@ht, "unseen me =nace" may re .mind ;]?/you of t)[?`h.at highl/y $&quo) @to;rigi*\nal %" BLA. #IR WIT(C`-H). As every _:/one^^_ sa# cks out, a haple%@ss `[]suppor ting charact or whose name+ #is ^`a/_t t: he bottom\- of t$ ^h e castin$+:g \? lis?.]t (`:$guess @+=wh*at_#%/- _%will !happen to him?) hears ^; something in th[*e ,+/lower compa)(rtment. Desp ite your futile "/_do n't go do:]wn there#_`, you je` r k!& @quot pleas,] he does just tha` t, and is appro*pr`_ ia # tel_ y killed^ (mo-@re^ l^. ike t?\hor$=oughl:%y # ob@.lite%]:rate^d\]]) b y *the shadow?y figu * re with ins:atiable blood lust +)on its mind. In\ the victim@=&) %#39s case,] dere?!liction _+ o% ( -f duty and_ sheer cowardli _ n=e(ss would have/ ^ been #the w,.ise [ de_ \*c^_ision. The scene [ is actu/+ ally + well-dire ^.ct ed (for a :]#?c #=%hange) a/:nd;) develops mu\?c%$_h=:* susp)[ense, as@ th_ e e ntire film surprisin_ gly\ #=-`d(,(oes.,[ ( The )+crew fin(ally catches o+!n that they have an unwanted !ship crasher on board, [ / an d try ever y possible m)](e:\ans at thei(,)r d %is p_o:%/ sal to / ![el,)imina-#_ te it, but the $;un( known crea^,ture seems to c ?-oppi!`ng`,$+ an anti-d@+$ea +th$, .#a.=)ttitude. Proving+% to !be an even mor`e c_ le !ver,% wort h) y adversary,^-[ &.#*39IT,. !&:#39 also hides out i_n th+ e ventilatio%n .shafts of the ship, (now t= hat should r+$i` ng a ^bell). C%^a+ (+hn's f` @o rce.ful ? dir[ection generates considera,]ble tension as the malevolent stow%?away works its^ +way up from on!%e le!;%vel `!(of the confined+,! ship to t ^he _next, == even; `tual[ly leav[-$ing the remain ing cha/r acters trapped at the top. The m$,ovie's suspense[ is blunt *and r[ight to]%] #\;the point: "IT!' $[has, t$o ki% .-l?l them : ? `/);or sta$ rve, he[?nce t).he\)y have to kill "IT[!" or die_;. /\Nothing] like those "no two ways[; ab !out it&q(uot c\ ho [ices. Rent i*t, ++or chec*%k #for it o n cab@;*le .,=if you wis -$`h; to know _ t+(=he o,utco+me. For a low-budg ?!et quickie, IT! is, quite im:pres siv/[e ._?)and memorabl_,)_e. The d readed se;[nse of )_ claustrop*h $% obic ten \ $sion,$ rendering[;^ the charact.ers' helpless entra:pm :en@\;t, is+ ]] [%highly effectiv:]e. This i s a production in which +(t+h e lim/ited ^budget and# small sets a` ctually work in favor of the plot's ])scary #ambie [nce. The b *!lack wh# `:ite][ photogr `aph %#y (Yes, it's one of t[hose!) !% helps to@ e]nhan# ce its dark. %,) creepy mood,$ and the se# ns +e of ap\[$pr ehension is quite hig)!\h. (Modern d^:!ay color fr@eak s\ neve / r )seem to take t//hat+%[ into(( co $?*n,sider ation). The plot :+ is also som-ewh(/.[at cy%-nical$[_l y iron ^ic: If the creatur\e hadn't stowed .=`.away\^* , on the s+hip , `^ :Carruthe rs _ would have m/ost .#lik`( e^ ly+ been f)_?ou]nd guilty of the charge s a) #ga/] inst him. The i`n t; _ el!,l ,i^#g ent script (s/_ )ee what I mean about "ra !(rei ty"): # was penned by not.%ed Science-Fict %ion author Jerome Bixby ((:;r emember T@] wilight Zone's !=&;)q-uotIt&;: #3 9s a Go[[od%^ Lif /\;e")? T[he pict@ure 9s taut edit[i + _ng elim.$).inates a )_ ny e\% :xtraneous/# dross. (ALIEN tend-]ed t,o drag in (its first @(hou;:r wit;h [*it^ s )( sopho!?m!#`oric dialogue, and why did[. it hav@e/. .`to ? include th+ at s:#)]tu$]pid an d ]`) %ultimately counte @) r-= prod uc) ?t(:ive )[: /sub-plo_:t of Ash bein :_g a r^-ob]_.(ot, an_`d further dragging the +% st = ory down to another big bad conspiracy cliche? UNN`ECE SSARY!!!) [!Director Cahn- astutely keep+%s the rubber-su ited monster off-screen and in the )sh$adows thro ;#ug h-out *mo ,!st of the#+=_ proceedings, keep =in#*+g your+ paranoid imagination on c[^onstant alert //). Unfortunately , perhaps at t*he stud]` io&# !39s c! o[ %%m_mercial insistance, it is a litt ?`le over-re\+.ve) )a:\ le(d at th. e !- cl::\imax, bu t I h,+_a.=v.($en&%#39t c#laimed this t] o be the p/ er%(fect masterpiece. .*The performance: /s, though nothing ^%aw(ard-winning, ar;\e /(nevertheless cool enough so that one bec![ _omes sinc)erel*;y c/;on%;c@.*ern ed as to their f(+ates,=. No!t m/any movie_\s in^?+ rec@ ent times ev$ er c=ome clo, ?se to achi`\. ev @ing that.%^ They can / (?be over-pr=#oduced% fro . m here to.$: e-$ternity, an@\\d \* u%sually@ only succeed in being [:glorio ;usly annoyin/#[g. Thi s . :film's sto[!;ry is no t rea:lly t@= o*?],tal:- ly orig:_.inal (what - i`$*s?), fo@`r it is based on A?][.%;*E. Van Vogt_&*##39s $! &, quotVOY; `+AGE OF THE SP#[ACE BEAGLE. )" All ALI!\EN,(% # f *a[,natics s,\`ho*u\l$\-d track *,dow n an old used copy to( see w;(^her )e+=[ the ini :.ti)-?al influence came f]rom^*`;. As long$^ as , yo u'?re ).@not craving another CGI wind-din g, y@ou +may f_ ind i ,t worth ?+\w=hi;\_le.! Just don't ex*;p ect t,he women to ) , :be Riple `+y precurs#@ors. T@ hi\, s was still \#.- the sock-knitti _$ng fifties,?=@ sad to say.
剧情简介
【外星 =@恶客】 ,^ Out :` of *^ the fifties '][!B' Science ;-Fiction monster movies, t!+his ea !sily ranks as^ the best. It's most notable)% as .`the f( ilm that ALIEN is an ^ unaccredit ed r!!emake ?[o#f, thus givi#;%=ng -it a_(= cert[ain histo @ rical significa?%[n-!ce.- @ The intriguing;(^ plot ^ is about the%\ rescue of the= only marooned ]survivor (C-ol@. Carruthers) of ?(an i /;l [l-fated expedition ]\( to ! Mars. The a; u#%thorities, p* ,;ig-headed as /\usual, ( f$alsely * assume that he murdered h)- is \%f[ellow cre,w members, so t)(ha#t he'd have mor+\ e prov) isions t.[:.o survi, ve h*e#nce he `( is being brough;t back to Earth to \face co\urt-ma`rtial fo /r m?: ur_.#+der. (There is a#(lso a . `somewhat _(interesting @)[plo/t reversa:l here:# M;%ost$*_ movi es o]/_[f = this ` na#ture us*%ua[ lly begin w it$`h the shi*(/p .leaving Earth, = e[n $r( o u#te to its otherw] orl ?d de \-stina#) tion, w!hile, in thi s case, the ? _&qu ? otstory" ?% is b elieved $_finishe) %d, and begins as* the ch a @=racters take-off from t #`he oth ,er_^ plan]%et, return] %ing to Earth(/). As the rescue s-@#hip ^(/is leaving Mar-] s,. a l^=urkin _. g, o+mi\$`nous shadow is seen?. .!in the *.lower * co?mpartment. (A fr*=?\ightening, ;+:atmospheric moment^.^, accomplis[^h; e `d through - ?!sh!eer econ(*]?o!my and .\]\:simplic!! it/!:y)_. Car.! .rut%[((hers i.nsists o [f his\ innocence to his fe\llow captors/%, claiming tha:^`t hi(s(/ o_ rig(:ina??, l crew m!@ ates were s: :la;[ughtered by a hostil!;e, unseen presenc.%e on th]_e d):es% ol?ute/ ; r +%.ed plane^ t ) , but three-gues!ses as to their reac\ tion to hi s _unusual plea %.. Natu #rally , h : e] can't ]?=prove it,$^ [ , a,@nd 50/% -&#/\;39s spac $*_e a, ?uth#o[!rities were not v;/\er% y [alien co. n\,science-@ $ at th *e t_i.m(-e.[$ _,(As a .; side-thoug#@ht, "unseen me =nace" may re .mind ;]?/you of t)[?`h.at highl/y $&quo) @to;rigi*\nal %" BLA. #IR WIT(C`-H). As every _:/one^^_ sa# cks out, a haple%@ss `[]suppor ting charact or whose name+ #is ^`a/_t t: he bottom\- of t$ ^h e castin$+:g \? lis?.]t (`:$guess @+=wh*at_#%/- _%will !happen to him?) hears ^; something in th[*e ,+/lower compa)(rtment. Desp ite your futile "/_do n't go do:]wn there#_`, you je` r k!& @quot pleas,] he does just tha` t, and is appro*pr`_ ia # tel_ y killed^ (mo-@re^ l^. ike t?\hor$=oughl:%y # ob@.lite%]:rate^d\]]) b y *the shadow?y figu * re with ins:atiable blood lust +)on its mind. In\ the victim@=&) %#39s case,] dere?!liction _+ o% ( -f duty and_ sheer cowardli _ n=e(ss would have/ ^ been #the w,.ise [ de_ \*c^_ision. The scene [ is actu/+ ally + well-dire ^.ct ed (for a :]#?c #=%hange) a/:nd;) develops mu\?c%$_h=:* susp)[ense, as@ th_ e e ntire film surprisin_ gly\ #=-`d(,(oes.,[ ( The )+crew fin(ally catches o+!n that they have an unwanted !ship crasher on board, [ / an d try ever y possible m)](e:\ans at thei(,)r d %is p_o:%/ sal to / ![el,)imina-#_ te it, but the $;un( known crea^,ture seems to c ?-oppi!`ng`,$+ an anti-d@+$ea +th$, .#a.=)ttitude. Proving+% to !be an even mor`e c_ le !ver,% wort h) y adversary,^-[ &.#*39IT,. !&:#39 also hides out i_n th+ e ventilatio%n .shafts of the ship, (now t= hat should r+$i` ng a ^bell). C%^a+ (+hn's f` @o rce.ful ? dir[ection generates considera,]ble tension as the malevolent stow%?away works its^ +way up from on!%e le!;%vel `!(of the confined+,! ship to t ^he _next, == even; `tual[ly leav[-$ing the remain ing cha/r acters trapped at the top. The m$,ovie's suspense[ is blunt *and r[ight to]%] #\;the point: "IT!' $[has, t$o ki% .-l?l them : ? `/);or sta$ rve, he[?nce t).he\)y have to kill "IT[!" or die_;. /\Nothing] like those "no two ways[; ab !out it&q(uot c\ ho [ices. Rent i*t, ++or chec*%k #for it o n cab@;*le .,=if you wis -$`h; to know _ t+(=he o,utco+me. For a low-budg ?!et quickie, IT! is, quite im:pres siv/[e ._?)and memorabl_,)_e. The d readed se;[nse of )_ claustrop*h $% obic ten \ $sion,$ rendering[;^ the charact.ers' helpless entra:pm :en@\;t, is+ ]] [%highly effectiv:]e. This i s a production in which +(t+h e lim/ited ^budget and# small sets a` ctually work in favor of the plot's ])scary #ambie [nce. The b *!lack wh# `:ite][ photogr `aph %#y (Yes, it's one of t[hose!) !% helps to@ e]nhan# ce its dark. %,) creepy mood,$ and the se# ns +e of ap\[$pr ehension is quite hig)!\h. (Modern d^:!ay color fr@eak s\ neve / r )seem to take t//hat+%[ into(( co $?*n,sider ation). The plot :+ is also som-ewh(/.[at cy%-nical$[_l y iron ^ic: If the creatur\e hadn't stowed .=`.away\^* , on the s+hip , `^ :Carruthe rs _ would have m/ost .#lik`( e^ ly+ been f)_?ou]nd guilty of the charge s a) #ga/] inst him. The i`n t; _ el!,l ,i^#g ent script (s/_ )ee what I mean about "ra !(rei ty"): # was penned by not.%ed Science-Fict %ion author Jerome Bixby ((:;r emember T@] wilight Zone's !=&;)q-uotIt&;: #3 9s a Go[[od%^ Lif /\;e")? T[he pict@ure 9s taut edit[i + _ng elim.$).inates a )_ ny e\% :xtraneous/# dross. (ALIEN tend-]ed t,o drag in (its first @(hou;:r wit;h [*it^ s )( sopho!?m!#`oric dialogue, and why did[. it hav@e/. .`to ? include th+ at s:#)]tu$]pid an d ]`) %ultimately counte @) r-= prod uc) ?t(:ive )[: /sub-plo_:t of Ash bein :_g a r^-ob]_.(ot, an_`d further dragging the +% st = ory down to another big bad conspiracy cliche? UNN`ECE SSARY!!!) [!Director Cahn- astutely keep+%s the rubber-su ited monster off-screen and in the )sh$adows thro ;#ug h-out *mo ,!st of the#+=_ proceedings, keep =in#*+g your+ paranoid imagination on c[^onstant alert //). Unfortunately , perhaps at t*he stud]` io&# !39s c! o[ %%m_mercial insistance, it is a litt ?`le over-re\+.ve) )a:\ le(d at th. e !- cl::\imax, bu t I h,+_a.=v.($en&%#39t c#laimed this t] o be the p/ er%(fect masterpiece. .*The performance: /s, though nothing ^%aw(ard-winning, ar;\e /(nevertheless cool enough so that one bec![ _omes sinc)erel*;y c/;on%;c@.*ern ed as to their f(+ates,=. No!t m/any movie_\s in^?+ rec@ ent times ev$ er c=ome clo, ?se to achi`\. ev @ing that.%^ They can / (?be over-pr=#oduced% fro . m here to.$: e-$ternity, an@\\d \* u%sually@ only succeed in being [:glorio ;usly annoyin/#[g. Thi s . :film's sto[!;ry is no t rea:lly t@= o*?],tal:- ly orig:_.inal (what - i`$*s?), fo@`r it is based on A?][.%;*E. Van Vogt_&*##39s $! &, quotVOY; `+AGE OF THE SP#[ACE BEAGLE. )" All ALI!\EN,(% # f *a[,natics s,\`ho*u\l$\-d track *,dow n an old used copy to( see w;(^her )e+=[ the ini :.ti)-?al influence came f]rom^*`;. As long$^ as , yo u'?re ).@not craving another CGI wind-din g, y@ou +may f_ ind i ,t worth ?+\w=hi;\_le.! Just don't ex*;p ect t,he women to ) , :be Riple `+y precurs#@ors. T@ hi\, s was still \#.- the sock-knitti _$ng fifties,?=@ sad to say.
《外星 =@恶客》是Edward L. Cahn于1958年创作的一部经典恐怖片作品， 由Marshall Thompson,Shirley Patterson,Kim Spalding等主演，在美国播出后引发了不少观众的讨论和好评。 影片通过 ,^ Out :` of *^ the fifties '…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的恐怖片。
很多影迷之所以推荐《外星 =@恶客》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《外星 =@恶客》既保留了恐怖片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的恐怖片， 那么《外星 =@恶客》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-14158.html）完整看完。