正义者
简介: 【正义者】 Sidda`rtha (Dhritiman Chat^;!terj, ee)[ is f ,/orce-+d @#to discontinue %h_,*is medi ?cal ] studies du`: e to unexpec] t_ %ed and b- [rutal death of ;his f)ather. He has to \-.)n ?(o ``w fi^\nd a job in stead. I% -n $-one @%j,* o$ b in_; :terview, he is ask%ed to na? !@me the mo`\st sign? ificant+*= world?_ ) event in th: @e last_ te,^ n years. H! is reply is 'th+ ^e ^, p+`lain / hu*man % = #coura? ge s`?h own b .y the people of Vietn@ am&%;##39: , in#s@ t( ead of the exp.ecte d *- man landing on moon. The inte@ rview$]er ;( a %@sks is h] ) e is a comm!]](uni +st. Needl \es to say!]# that he does *.no t ge/t ? the job. He =[. re$aches a coffee shop where he)?!+ is o% ff ! er$@ed? to work for the co.[mmunis*\. =t? party. Wh_ @en he does: ? not show any interest the party leader tell:#s him about an opening^# for a medic al /]_representative_:. To escape- from the hea)@t an-+ d h .ave)- a snooze, he [-/goes i n to a cin`` ema.. As a govern*;?ment propag^ ^)_anda ne [ws^reel is being shown before the fea/ ture, a bom-*=b explode `*s i#n th($e cinema hall.?! In the stampede that follow. s, Sidda+ rtha, bre@aks his w [atch. He goes to a watchmak^@]=e$ r` but h/e cann^` ot afford the repa+ (irs. @ %)Waiting/ to cr::@oss th?;]e$ r./o_ =ad, h- (e notic,es a sexy girl. []H e drif % t] .s bac]k;: to his days a /.s a medical studen+[t in (_=_ a$ flashbac!k?_. T/he professor is e$\xpla\ in_;ing:#[ anatomy of , female breast. Ma(ny flashback_ s ?#a;_nd dream `s occu(. :r to Siddar!($tha thro:,`ugh-)! the film. On his way to h ;os]t?\) el, he h [=as an e ncounter)* with some hip()#p* i @es. Alo !ng with an# e[`x-c*(las $sm .ate, `:he goes ou+ t to see a porn film but to their disap+ !pointment,:] the fil= [m(#_ turns ou _t t:o+ b^e;. not-so-pornog=ra )phic. In such const ant wa/?/n:^*,derin g in a=_ Ca$^lc`utta, ,di :sintegrated r elat )%;i\onsh ips! w?^it` h his sister an(d)-^ a Naxal$-i//te (militant commun ist) b*rothe # r, his \!friendship ::with;! Keya *$ is only thi =+ng t ]hat keep/s him sa ne. Keya is a simple girl. They en=:joy each other(\#9s company but they cannot make any commi(_#tment t)o each other due to the ci\,[rcumstances. A^\fter ye _t # ) another attempt at a job %_interview, @% Siddartha ,:/[leaves the b . i] g city to ] #-take a modes!? t job of a (+s(]alesman in a far o=(ff sm# \all town.[) He _) :wri t://e!*s \ to Keya tha, t he st,ill ch]. er` ishes the ir re=latio ^;ns hip. And ^ tha t he has heard tha`_%[t bird c +=all again but this %t$im]-e it`? $/,;is for real, __and n .#/ot hi :s/ ?@ m/-@ind.`\: A*f;+[ter comp le\!;.ting t(#he l%];e -%tter* , h* e comes ?`^out t%!o %the balcony @] of his modest ro$ @ (om. The bird cal \ls ag*`ain. He also hears t ;he sombre^ ch ants o)^f a funeral procession. A^s; he:.( turns t#% \o the camera, t /he pi#ct #=u:re is * =) \fr;oze/ )n. Thi-$s is) t!%he first fil$ m` of t=]_/h [e Calcutta Tril [\,ogy. The other _, two were ..and` Seemabad! dh( a (Com[ *,pany\ Limited, 1971 ) and]\ ]^Jana Aranya ((Th[e ?Middle # ] Man, 1975). All^ the three $=! f\ ilms study the ef)/ ]fect `-the big city of Calcutta has on t_]-?he e*ducated yout !*h a#^)nd $]the price% it extracts from t$\%hem#!$.+^$ The #%;#sev)%ent\ies were a difficult period for India: and W)+es ;t @ Bengal. The Cor[):ruption was r+ # amp a/ nt the ] Naxalite movement had created h]avoc in C?$alcu:$tta. In fac%$t, they had turned p:=`!a\: ?rts of+! Cal- cutta into ':\l*?iberat^ed zones'. ; By the time the Naxalit_+e movement` died down;(, in 1.( 975+ . , Mrs. Indira Ga@^ndhi (the@.n, Pri* *me,\ Mi^,nister of: In/dia) supp:/%ressed the .+ f).un$damental r$ights and d :$ec:$lared "Emer(/g#$@e nc#@=y&quo#t for her own politica l s_;/#urvival. =$ Her son, Sa@,njay Gan.dhi became a[^ d$ _ict ^ator of sorts./ w? ith+;#??out an\/y offi$$ c@;ial designation. The opposit=ion ; l?@@eaders were thrown :in^to pr=\iso::/ns%%. About his s @oc- ial re\spo,* nsibilit=i =es= ? as ]=a filmm aker, i_n an intervi ew /;with Cineaste magazine, Ray :comm ented, &q_``u] (otYou can s^-ee ,m]/y att[ itude in T `he Adv!^ e /rsary whe)re y ou h*,ave two br(_others. The yo u=* n@\/ger[` brother is a Naxalite:*]. There:/ is ( n^%o d(\*oubt tha *t the elde:r brother $# admire=+ s the [younge ^?r b rot her f[or hi!#`!s bra v ery an+d convict,_ions.% . The film %, is not:/]) ambiguous a=bou+*t ?;-th=at. [@A .s a film;maker, `=;ho:`:.weve^?r, I w as mor.e+` intere@)s ]ted in the elde,#r brothe`* `r b^ec?/ause \he% is_) the vacil:lating characte!. ,r. As a p sychologi/ cal entity^% , as a huma*#n bein% g with dou bts, -he is a mo%re(_= interesting =^^ character to me. The younger_ brothe(? r has ]@already identified himself wi =th a%[ ca `use. @That makes him p`art : o[: f a total att` %i% tude a.?;nd mak/(es him u _)nimportant. The Naxalit +e moveme; ]nt takes ov!er. He ;@, as a, perso ?n, becomes insignificant.@*:&qu)#ot In a l et,ter to Se:^;ton i ` n 1970, Ray wrote th/at Pra@=,tidwandi .. w - as the,^ most provo__$cati\\ve$ film he ^had )]?`made till ;:then. T, he film is sai d to have evoked e= xt* ) _r/( [e [me r=]eact\ions., "Peo!-_ple eithe[r_, loved] :^% the f$ilm or !?@hated [/it& ]quo :_t, @Dhritiman +/ Chatterje #e to l*)d Andrew Robinson, Ra;;;+y's b@ iographer.
剧情简介
【正义者】 Sidda`rtha (Dhritiman Chat^;!terj, ee)[ is f ,/orce-+d @#to discontinue %h_,*is medi ?cal ] studies du`: e to unexpec] t_ %ed and b- [rutal death of ;his f)ather. He has to \-.)n ?(o ``w fi^\nd a job in stead. I% -n $-one @%j,* o$ b in_; :terview, he is ask%ed to na? !@me the mo`\st sign? ificant+*= world?_ ) event in th: @e last_ te,^ n years. H! is reply is 'th+ ^e ^, p+`lain / hu*man % = #coura? ge s`?h own b .y the people of Vietn@ am&%;##39: , in#s@ t( ead of the exp.ecte d *- man landing on moon. The inte@ rview$]er ;( a %@sks is h] ) e is a comm!]](uni +st. Needl \es to say!]# that he does *.no t ge/t ? the job. He =[. re$aches a coffee shop where he)?!+ is o% ff ! er$@ed? to work for the co.[mmunis*\. =t? party. Wh_ @en he does: ? not show any interest the party leader tell:#s him about an opening^# for a medic al /]_representative_:. To escape- from the hea)@t an-+ d h .ave)- a snooze, he [-/goes i n to a cin`` ema.. As a govern*;?ment propag^ ^)_anda ne [ws^reel is being shown before the fea/ ture, a bom-*=b explode `*s i#n th($e cinema hall.?! In the stampede that follow. s, Sidda+ rtha, bre@aks his w [atch. He goes to a watchmak^@]=e$ r` but h/e cann^` ot afford the repa+ (irs. @ %)Waiting/ to cr::@oss th?;]e$ r./o_ =ad, h- (e notic,es a sexy girl. []H e drif % t] .s bac]k;: to his days a /.s a medical studen+[t in (_=_ a$ flashbac!k?_. T/he professor is e$\xpla\ in_;ing:#[ anatomy of , female breast. Ma(ny flashback_ s ?#a;_nd dream `s occu(. :r to Siddar!($tha thro:,`ugh-)! the film. On his way to h ;os]t?\) el, he h [=as an e ncounter)* with some hip()#p* i @es. Alo !ng with an# e[`x-c*(las $sm .ate, `:he goes ou+ t to see a porn film but to their disap+ !pointment,:] the fil= [m(#_ turns ou _t t:o+ b^e;. not-so-pornog=ra )phic. In such const ant wa/?/n:^*,derin g in a=_ Ca$^lc`utta, ,di :sintegrated r elat )%;i\onsh ips! w?^it` h his sister an(d)-^ a Naxal$-i//te (militant commun ist) b*rothe # r, his \!friendship ::with;! Keya *$ is only thi =+ng t ]hat keep/s him sa ne. Keya is a simple girl. They en=:joy each other(\#9s company but they cannot make any commi(_#tment t)o each other due to the ci\,[rcumstances. A^\fter ye _t # ) another attempt at a job %_interview, @% Siddartha ,:/[leaves the b . i] g city to ] #-take a modes!? t job of a (+s(]alesman in a far o=(ff sm# \all town.[) He _) :wri t://e!*s \ to Keya tha, t he st,ill ch]. er` ishes the ir re=latio ^;ns hip. And ^ tha t he has heard tha`_%[t bird c +=all again but this %t$im]-e it`? $/,;is for real, __and n .#/ot hi :s/ ?@ m/-@ind.`\: A*f;+[ter comp le\!;.ting t(#he l%];e -%tter* , h* e comes ?`^out t%!o %the balcony @] of his modest ro$ @ (om. The bird cal \ls ag*`ain. He also hears t ;he sombre^ ch ants o)^f a funeral procession. A^s; he:.( turns t#% \o the camera, t /he pi#ct #=u:re is * =) \fr;oze/ )n. Thi-$s is) t!%he first fil$ m` of t=]_/h [e Calcutta Tril [\,ogy. The other _, two were ..and` Seemabad! dh( a (Com[ *,pany\ Limited, 1971 ) and]\ ]^Jana Aranya ((Th[e ?Middle # ] Man, 1975). All^ the three $=! f\ ilms study the ef)/ ]fect `-the big city of Calcutta has on t_]-?he e*ducated yout !*h a#^)nd $]the price% it extracts from t$\%hem#!$.+^$ The #%;#sev)%ent\ies were a difficult period for India: and W)+es ;t @ Bengal. The Cor[):ruption was r+ # amp a/ nt the ] Naxalite movement had created h]avoc in C?$alcu:$tta. In fac%$t, they had turned p:=`!a\: ?rts of+! Cal- cutta into ':\l*?iberat^ed zones'. ; By the time the Naxalit_+e movement` died down;(, in 1.( 975+ . , Mrs. Indira Ga@^ndhi (the@.n, Pri* *me,\ Mi^,nister of: In/dia) supp:/%ressed the .+ f).un$damental r$ights and d :$ec:$lared "Emer(/g#$@e nc#@=y&quo#t for her own politica l s_;/#urvival. =$ Her son, Sa@,njay Gan.dhi became a[^ d$ _ict ^ator of sorts./ w? ith+;#??out an\/y offi$$ c@;ial designation. The opposit=ion ; l?@@eaders were thrown :in^to pr=\iso::/ns%%. About his s @oc- ial re\spo,* nsibilit=i =es= ? as ]=a filmm aker, i_n an intervi ew /;with Cineaste magazine, Ray :comm ented, &q_``u] (otYou can s^-ee ,m]/y att[ itude in T `he Adv!^ e /rsary whe)re y ou h*,ave two br(_others. The yo u=* n@\/ger[` brother is a Naxalite:*]. There:/ is ( n^%o d(\*oubt tha *t the elde:r brother $# admire=+ s the [younge ^?r b rot her f[or hi!#`!s bra v ery an+d convict,_ions.% . The film %, is not:/]) ambiguous a=bou+*t ?;-th=at. [@A .s a film;maker, `=;ho:`:.weve^?r, I w as mor.e+` intere@)s ]ted in the elde,#r brothe`* `r b^ec?/ause \he% is_) the vacil:lating characte!. ,r. As a p sychologi/ cal entity^% , as a huma*#n bein% g with dou bts, -he is a mo%re(_= interesting =^^ character to me. The younger_ brothe(? r has ]@already identified himself wi =th a%[ ca `use. @That makes him p`art : o[: f a total att` %i% tude a.?;nd mak/(es him u _)nimportant. The Naxalit +e moveme; ]nt takes ov!er. He ;@, as a, perso ?n, becomes insignificant.@*:&qu)#ot In a l et,ter to Se:^;ton i ` n 1970, Ray wrote th/at Pra@=,tidwandi .. w - as the,^ most provo__$cati\\ve$ film he ^had )]?`made till ;:then. T, he film is sai d to have evoked e= xt* ) _r/( [e [me r=]eact\ions., "Peo!-_ple eithe[r_, loved] :^% the f$ilm or !?@hated [/it& ]quo :_t, @Dhritiman +/ Chatterje #e to l*)d Andrew Robinson, Ra;;;+y's b@ iographer.
《正义者》是萨蒂亚吉特·雷伊于1970年创作的一部经典剧情片作品， 由Dhritiman Chatterjee,Jayshree Roy,Debraj Roy等主演，在印度播出后引发了不少观众的讨论和好评。 影片通过 Sidda`rtha (Dhritiman Chat^;!terj,…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的剧情片。
很多影迷之所以推荐《正义者》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《正义者》既保留了剧情片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的剧情片， 那么《正义者》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-15008.html）完整看完。