四重. !奏
简介: 【四重. !奏】 It has @\ been said t% h]at =.most great twen) $ tieth `(ce =n :tury$=[ n_\^*ovels include$* + (* scen(:;%es in a = hotel, a$: s ymptom of the (vas t uprooting that .ha s occurred in %the last` century: Jam*/es? %!Ivory +/begi`-ns Quartet w -ith)@ a montag!/e of the hotels of Mon tparnasse, a quiet p-. relude bef# _o*re our in @t\_roduction to the - violently ^/l];ost souls who inh?abit ]them. Adapted f @rom t` he 1%92 ],8 a@ utob+=]io] gr\ ap /hi$-cal nove l,) by ` Jean Rhys, Quartet_ is the +st-!(ory of a lov.e quadr angle between a co=[!mplicat+.e%d yo,ung West Indian %- woman na med,_ Marya (playe[d by Isabelle Adjani), h`%\er husband S ,tefan#+ /(An-)thony ` Higgins+`#), a -?m$.an[ +ipulative ?\E\@ngli%sh art patron named Heidler (Alan[ Bates), and h[^? i- ?_s *pai#nt\_$er wife Lois (Maggie Smith). The f%ilm is set *-i) @_n the Go/`lden @ #Age,;/; of P:ar^is, Hemingway's &q+uotmov, eable feast" o [,f cafe+ # cultu#r/@e =!and e x $travagant;; nightl ife\$@], glitter and literati: yet u^%n% d *erneath is t ;he ou?` tl `ine o! _f ;somethi!ng %!sinister bene;[ath ;the\ poli( sh[ /ed brasses a/-`nd@ ( b!r`asser ies. Whe.+-n=-? Ma;+rya's=+ hu*\( s?-b_([and is pu+`t/` i n a Pa?^( ris *:)prison on char%ges of selling stolen art wor)ks, sh e is le]`\ft i_;#n ?@;;di + gent and++_ is taken in by Heidler and * his%)^ w:_[ife: t);h e *pre ]da* ^*tory Englishman! (w,@!hose ch +ara/])cter Rhys)\ ba_ ses on t _ he novelist Ford Madox F;\ord) is ,]@-quick t/-o take advantage of(). :the ne$=%w living ar !rangement, an: ./d Mar ?ya fin.]ds#\ herself i!: [n a ;.strang\ ?lehold betwe#en hus b:_@a)=*nd and wif_ *e. Lovers alternately #gravitate = toward and ar e re pelled by e%ach o* ther, *now p)ro$fess !ing thei# r *\!love,[ now confessi/ng their brutal indiff_erenc \ !*e -- all the^ while kee^@*ping[) u=p appear%`ances. Th(e f` ilm exp@._(lores the vast territo#ry betwe)en[ the "nice" and!` the %"good,"= betwee;@=n outwa+ [rd refine: m %en)/t;] and): in.*n=\+er darkne=s s: after one vi/# ,ol ent *episo de, Lois] asks Marya (not ]to spe@a;k of`\ - it to \the Paris crowd. &q;uotIs that a#ll yo u&#)($#39re wor !+ried about?&q[;u-:;ot dem)ands an outrage; d Mary@\ ?a. "Yes," Lois replies:[+ wit h icy@[ ca#!n=_dor, ( "as +, a %$ matter ] o]`f fact$ .&q?uo ` t Adj!@ an+i won the Best Act+!re* $ss award at Ca ;-nnes for her (? performances\*? ]()]in Quartet: h**;er Marya #is a v`=- ol^.a`tile com*po`und of@$ French schoolgirl and.: scorned mist \res s,%=/ veering between tr !e mulo=us .#, jo@y a_=]nd hyst\erical outburst. Smith shine@s ; in one o )f her mos$ t memor``able ro(=-les: she imbues Loi[s with a , Katherine^ -of)-Aragon im[ pot!-/#ent rage, as humiliated as sh :$e is @@$ pow .erless in ] the face of her[! husband's choices. He r interactions with) Bates% - %are - sc= ene=(s from a marriage th%)at\\+ ha\_ s move-;)?d from disillusionment to pa;$le a -cc;epta\@ nce. Ruth Pra)wer Jhabvala a nd J?*\`ame s+` Ivory' (//s s%creenp*=.:l($]a#:y uses Rhys+@ ^*&+%#39s @ nov.?el a ( s a^ founda \)tion from which i t c `onst [ruct_*):s- a ^world that is ! bo?th true to[ [, the nove;l` and dis):%tinctive in its %!own ri ,ght@, pa %inting ]a @=-:*societ[(y th`_a__`)t has ? \l ost its in%$hibitions and in%%advertently@ lost its soul. [ [We are _/tak.en to mi!r;/-rored cafes (,; (th. @e. n move through the lo+ ?oking*_ g lass: Marya, in one scene, is offer, .ed a job as a mode l and then finds herself i n a _(-sad:=om$)asochistic @ !p;orn[ograp. h ;er's : studi( __o . The(* film, as p`h ot-; o`graphed by Pie`rr%e Lh omme;=), cr ^eate : s tho,. _rough _`+ly ci?ne* matic mom+e \nts- t^hat` Rhy's novel could )(not have a! [ttempted: in one$( of the Ivory&#[39s +]most memora._bl^e scen es, a b# -lack America, **n ch)a/nte.)^use (extra)/\ordinari/#ly p#[+la]# yed /;\by Armel=*;ia McQ:]ueen( ^) ente=(rtains Par!(@i sia..n pat!rons wit/h a ]# big ( and brassy jazz song)[_, neither subtle ,\nor elegan/@t. Ivory `( k!eeps@! + the .? camera on t.he s=( in#;ger's a_%ct@ : the_re is something in h*$er ungua ^*rded smile tha @$t mak$ )es t_he dan) ger beneath Montparnasse manners seem more acu:(te.
剧情简介
【四重. !奏】 It has @\ been said t% h]at =.most great twen) $ tieth `(ce =n :tury$=[ n_\^*ovels include$* + (* scen(:;%es in a = hotel, a$: s ymptom of the (vas t uprooting that .ha s occurred in %the last` century: Jam*/es? %!Ivory +/begi`-ns Quartet w -ith)@ a montag!/e of the hotels of Mon tparnasse, a quiet p-. relude bef# _o*re our in @t\_roduction to the - violently ^/l];ost souls who inh?abit ]them. Adapted f @rom t` he 1%92 ],8 a@ utob+=]io] gr\ ap /hi$-cal nove l,) by ` Jean Rhys, Quartet_ is the +st-!(ory of a lov.e quadr angle between a co=[!mplicat+.e%d yo,ung West Indian %- woman na med,_ Marya (playe[d by Isabelle Adjani), h`%\er husband S ,tefan#+ /(An-)thony ` Higgins+`#), a -?m$.an[ +ipulative ?\E\@ngli%sh art patron named Heidler (Alan[ Bates), and h[^? i- ?_s *pai#nt\_$er wife Lois (Maggie Smith). The f%ilm is set *-i) @_n the Go/`lden @ #Age,;/; of P:ar^is, Hemingway's &q+uotmov, eable feast" o [,f cafe+ # cultu#r/@e =!and e x $travagant;; nightl ife\$@], glitter and literati: yet u^%n% d *erneath is t ;he ou?` tl `ine o! _f ;somethi!ng %!sinister bene;[ath ;the\ poli( sh[ /ed brasses a/-`nd@ ( b!r`asser ies. Whe.+-n=-? Ma;+rya's=+ hu*\( s?-b_([and is pu+`t/` i n a Pa?^( ris *:)prison on char%ges of selling stolen art wor)ks, sh e is le]`\ft i_;#n ?@;;di + gent and++_ is taken in by Heidler and * his%)^ w:_[ife: t);h e *pre ]da* ^*tory Englishman! (w,@!hose ch +ara/])cter Rhys)\ ba_ ses on t _ he novelist Ford Madox F;\ord) is ,]@-quick t/-o take advantage of(). :the ne$=%w living ar !rangement, an: ./d Mar ?ya fin.]ds#\ herself i!: [n a ;.strang\ ?lehold betwe#en hus b:_@a)=*nd and wif_ *e. Lovers alternately #gravitate = toward and ar e re pelled by e%ach o* ther, *now p)ro$fess !ing thei# r *\!love,[ now confessi/ng their brutal indiff_erenc \ !*e -- all the^ while kee^@*ping[) u=p appear%`ances. Th(e f` ilm exp@._(lores the vast territo#ry betwe)en[ the "nice" and!` the %"good,"= betwee;@=n outwa+ [rd refine: m %en)/t;] and): in.*n=\+er darkne=s s: after one vi/# ,ol ent *episo de, Lois] asks Marya (not ]to spe@a;k of`\ - it to \the Paris crowd. &q;uotIs that a#ll yo u&#)($#39re wor !+ried about?&q[;u-:;ot dem)ands an outrage; d Mary@\ ?a. "Yes," Lois replies:[+ wit h icy@[ ca#!n=_dor, ( "as +, a %$ matter ] o]`f fact$ .&q?uo ` t Adj!@ an+i won the Best Act+!re* $ss award at Ca ;-nnes for her (? performances\*? ]()]in Quartet: h**;er Marya #is a v`=- ol^.a`tile com*po`und of@$ French schoolgirl and.: scorned mist \res s,%=/ veering between tr !e mulo=us .#, jo@y a_=]nd hyst\erical outburst. Smith shine@s ; in one o )f her mos$ t memor``able ro(=-les: she imbues Loi[s with a , Katherine^ -of)-Aragon im[ pot!-/#ent rage, as humiliated as sh :$e is @@$ pow .erless in ] the face of her[! husband's choices. He r interactions with) Bates% - %are - sc= ene=(s from a marriage th%)at\\+ ha\_ s move-;)?d from disillusionment to pa;$le a -cc;epta\@ nce. Ruth Pra)wer Jhabvala a nd J?*\`ame s+` Ivory' (//s s%creenp*=.:l($]a#:y uses Rhys+@ ^*&+%#39s @ nov.?el a ( s a^ founda \)tion from which i t c `onst [ruct_*):s- a ^world that is ! bo?th true to[ [, the nove;l` and dis):%tinctive in its %!own ri ,ght@, pa %inting ]a @=-:*societ[(y th`_a__`)t has ? \l ost its in%$hibitions and in%%advertently@ lost its soul. [ [We are _/tak.en to mi!r;/-rored cafes (,; (th. @e. n move through the lo+ ?oking*_ g lass: Marya, in one scene, is offer, .ed a job as a mode l and then finds herself i n a _(-sad:=om$)asochistic @ !p;orn[ograp. h ;er's : studi( __o . The(* film, as p`h ot-; o`graphed by Pie`rr%e Lh omme;=), cr ^eate : s tho,. _rough _`+ly ci?ne* matic mom+e \nts- t^hat` Rhy's novel could )(not have a! [ttempted: in one$( of the Ivory&#[39s +]most memora._bl^e scen es, a b# -lack America, **n ch)a/nte.)^use (extra)/\ordinari/#ly p#[+la]# yed /;\by Armel=*;ia McQ:]ueen( ^) ente=(rtains Par!(@i sia..n pat!rons wit/h a ]# big ( and brassy jazz song)[_, neither subtle ,\nor elegan/@t. Ivory `( k!eeps@! + the .? camera on t.he s=( in#;ger's a_%ct@ : the_re is something in h*$er ungua ^*rded smile tha @$t mak$ )es t_he dan) ger beneath Montparnasse manners seem more acu:(te.
《四重. !奏》是詹姆斯·伊沃里于1981年创作的一部经典爱情片作品， 由阿兰·贝茨,玛吉·史密斯,伊莎贝尔·阿佳妮,安东尼·希金斯等主演，在法国播出后引发了不少观众的讨论和好评。 影片通过 It has @\ been said t% h]at =.…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的爱情片。
很多影迷之所以推荐《四重. !奏》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《四重. !奏》既保留了爱情片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的爱情片， 那么《四重. !奏》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-15400.html）完整看完。