女巫19/67
简介: 【女巫19/67】 &@- quotTh,*e Wi[!:tch Burn^,t Alive& q , uot After^ a very % long, but visual@=ly ar+#resting animate? d opening c_re )dit` s+\% se$? :que ?nc][e, Luc./%hino -?+Visconti (Death in Venice) di@rects %the first \ story, whi@ c_!.,h is @,@the longest of the five, ta`!-king a pp @roximate ly a )^third of the film%$'s r *`$unning le / ng th. Mangano @]%)pla ys a sup@erst ar a;))ctre-\ss]-= and mod.el who t ravels to a mount \ain r=:eso\[ +r t , only t]o fi /.nd ,the well-to=[--^/\ do inhabi t,ants have prej*u\ (dice s and ^^@/p@;reconceive+ d notions about he .r b`as%/ed on her pub$ \lic pe rson(/ a+#._ The w;! !ome]n are all j `$ealous a [nd the men all : want to s[ #leep w$^ith her]$, bu*/t a#ll %M#:+ang=,:%ano+[ wants is to =?.be left ` al]]one.:!` It's a mostly so:mber sati=,rical piece, but stor%]_y-wise, it lang=ui]::shes in its m;ode% st idea a( bit long, becomin_ g %`_inconsequent= !ial to ]a ]/ll; $ b^ut thos e f+ascinated by the reali (ties /)o[ f being famous= . & =quot^ _Comm*unit-y [:Spirit&quo+ +t +#^! Bolognini's piece= )`isn't reall- y a story(. = It's more of a visual gag , in a ]^!short :) ]segment that features(, Mangan`o offering to^_= take an in%; jured m =an to a hospital,!* driving+ him a\!t )::br[^+eakneck /.speed% throughout t he cit))y,[] but not s^ to *(pping +at locati ]ons where he migh*],t find aid. I won&#_] ^39t gi(ve away )the punchline here,;? bu ;t it su %cceeds in+^ bein?g ) amusing, even%] if.] ! %it&,_+*# 39\s the kind of thing that only i s@^ interesting%^; ) \the fi:rs]t time );throug;-h. "The Earth =+[S\*;een from the ;; Moon#(.&q@ uot The este=%e\;med w$riter / .di% r,:ector, Pier Paolo : Pas, olini (Salo), crafts the mi dd[:le segm!_+?ent,$ which is the most$^:! artistic= and memorabl-e o ]f th\:e five. Remi.%/niscent in style to &quo; tDon Quixote", _`a recently wido we d father and his %son travel ar#$ound the country in search of a new wife and moth+ er $ , and after a\- long pe-,-riod, th$ *ey discove]! r the l-*[-it%*,erall( y speechless/ @ Manga ==n.=o. S)^h ./e brings joy in. to th(ei - r-[ li $ ves , b ,ut they # ar/% e ( poor, a)\!nd -` in order]^ to ]find !a be:#%%tter $ li`)fe -$for#^; themse_: lves, they concoc t+. ) a +?sc` he*me to try[, to$= ma ke some quick+ c=)ash.: Th` )e #*$story is con /t riv[%ed, and not com+\ p-.lete#[ly _?interestin!; g, but the[ outlandi =.*sh pe/);rfor!.man#;c)e; s, artwork, and costumes does ev[@oke `!gre^/at ch!\](arm and likeability., ` Although mut !e, it's p = r/?obably? the m@(ost ^ *!\%appealing of Man ;gano&#%\39s = f= !/ive perf+ o* rmances,, and Toto is t$ [err/ific. ",The Sicilian&quo,t F)ranco Rossi d-irects the fourt!:h an shortest pi?ece, a straight-forwa ]@ rd revenge* ) stor ? y[` that_!] come: s *`[a* nd ^ goes befor.*;*e it ever -#+;h[+as a chance of beco?;ming int er e] )sting. It's `viol \?ent?, but easily the l^east satisfyi $^ng of the five! - stories. &quo!\*tA Nig\ht Like Any Other&qu@ot;/?_ Eastw ^) \ood's [ appearan ]ce is cle) arly t he biggest/\. ;a _(ttraction here, whic;#h was f(+ ilmed in /^between. the Serg io Leone\. "Dollars&quo@+,t# t!,:rilogy. It]=9s ..an enjoyabl=e de^par; t[/ure from h is -normal * roles ^/, playing a com@e, _dic romantic lead, and he *, is# a ffabl*y f**$un) to watch. F amed [%Ital^ +ia n dir)\ector, V ittori`-=$o de Sica (The , ;Bicy(cle Thief, Umberto * ^?D.@*) d`-; oes a master /ful job with the s@;!to# % ry[? , wh# i^ch perfe; ctly blends the @*mundane and the fantasy in a vis u ally@$= sati][^sf\[ ying way. ^The story is abou.*t a bo?red- ho+ u-%sew_-:ife ( ]Ma?+#ngano, of course), who [ ` tr\ ,=ies in vai?*n to g/;e]t her -husband t ?\%o realiz@],e t%hat he is no\$:t; _ %!as ro$($ma.n!tic as `)[he use$d t; @o) b##_e.! The sc:#e\_;ne is^^) inters persed wit^ h-@/ ?.comedic ro%m( an_)?ce?(% sequenc@$es-# revolv/ ?+ ing around=^ th=! e##[ coupl@e's =_p=@;ast ro;^mantic in,:t)/erlud_es, and ` dr @,eams of +.how their @^[^li(ve s shoul((d be.
剧情简介
【女巫19/67】 &@- quotTh,*e Wi[!:tch Burn^,t Alive& q , uot After^ a very % long, but visual@=ly ar+#resting animate? d opening c_re )dit` s+\% se$? :que ?nc][e, Luc./%hino -?+Visconti (Death in Venice) di@rects %the first \ story, whi@ c_!.,h is @,@the longest of the five, ta`!-king a pp @roximate ly a )^third of the film%$'s r *`$unning le / ng th. Mangano @]%)pla ys a sup@erst ar a;))ctre-\ss]-= and mod.el who t ravels to a mount \ain r=:eso\[ +r t , only t]o fi /.nd ,the well-to=[--^/\ do inhabi t,ants have prej*u\ (dice s and ^^@/p@;reconceive+ d notions about he .r b`as%/ed on her pub$ \lic pe rson(/ a+#._ The w;! !ome]n are all j `$ealous a [nd the men all : want to s[ #leep w$^ith her]$, bu*/t a#ll %M#:+ang=,:%ano+[ wants is to =?.be left ` al]]one.:!` It's a mostly so:mber sati=,rical piece, but stor%]_y-wise, it lang=ui]::shes in its m;ode% st idea a( bit long, becomin_ g %`_inconsequent= !ial to ]a ]/ll; $ b^ut thos e f+ascinated by the reali (ties /)o[ f being famous= . & =quot^ _Comm*unit-y [:Spirit&quo+ +t +#^! Bolognini's piece= )`isn't reall- y a story(. = It's more of a visual gag , in a ]^!short :) ]segment that features(, Mangan`o offering to^_= take an in%; jured m =an to a hospital,!* driving+ him a\!t )::br[^+eakneck /.speed% throughout t he cit))y,[] but not s^ to *(pping +at locati ]ons where he migh*],t find aid. I won&#_] ^39t gi(ve away )the punchline here,;? bu ;t it su %cceeds in+^ bein?g ) amusing, even%] if.] ! %it&,_+*# 39\s the kind of thing that only i s@^ interesting%^; ) \the fi:rs]t time );throug;-h. "The Earth =+[S\*;een from the ;; Moon#(.&q@ uot The este=%e\;med w$riter / .di% r,:ector, Pier Paolo : Pas, olini (Salo), crafts the mi dd[:le segm!_+?ent,$ which is the most$^:! artistic= and memorabl-e o ]f th\:e five. Remi.%/niscent in style to &quo; tDon Quixote", _`a recently wido we d father and his %son travel ar#$ound the country in search of a new wife and moth+ er $ , and after a\- long pe-,-riod, th$ *ey discove]! r the l-*[-it%*,erall( y speechless/ @ Manga ==n.=o. S)^h ./e brings joy in. to th(ei - r-[ li $ ves , b ,ut they # ar/% e ( poor, a)\!nd -` in order]^ to ]find !a be:#%%tter $ li`)fe -$for#^; themse_: lves, they concoc t+. ) a +?sc` he*me to try[, to$= ma ke some quick+ c=)ash.: Th` )e #*$story is con /t riv[%ed, and not com+\ p-.lete#[ly _?interestin!; g, but the[ outlandi =.*sh pe/);rfor!.man#;c)e; s, artwork, and costumes does ev[@oke `!gre^/at ch!\](arm and likeability., ` Although mut !e, it's p = r/?obably? the m@(ost ^ *!\%appealing of Man ;gano&#%\39s = f= !/ive perf+ o* rmances,, and Toto is t$ [err/ific. ",The Sicilian&quo,t F)ranco Rossi d-irects the fourt!:h an shortest pi?ece, a straight-forwa ]@ rd revenge* ) stor ? y[` that_!] come: s *`[a* nd ^ goes befor.*;*e it ever -#+;h[+as a chance of beco?;ming int er e] )sting. It's `viol \?ent?, but easily the l^east satisfyi $^ng of the five! - stories. &quo!\*tA Nig\ht Like Any Other&qu@ot;/?_ Eastw ^) \ood's [ appearan ]ce is cle) arly t he biggest/\. ;a _(ttraction here, whic;#h was f(+ ilmed in /^between. the Serg io Leone\. "Dollars&quo@+,t# t!,:rilogy. It]=9s ..an enjoyabl=e de^par; t[/ure from h is -normal * roles ^/, playing a com@e, _dic romantic lead, and he *, is# a ffabl*y f**$un) to watch. F amed [%Ital^ +ia n dir)\ector, V ittori`-=$o de Sica (The , ;Bicy(cle Thief, Umberto * ^?D.@*) d`-; oes a master /ful job with the s@;!to# % ry[? , wh# i^ch perfe; ctly blends the @*mundane and the fantasy in a vis u ally@$= sati][^sf\[ ying way. ^The story is abou.*t a bo?red- ho+ u-%sew_-:ife ( ]Ma?+#ngano, of course), who [ ` tr\ ,=ies in vai?*n to g/;e]t her -husband t ?\%o realiz@],e t%hat he is no\$:t; _ %!as ro$($ma.n!tic as `)[he use$d t; @o) b##_e.! The sc:#e\_;ne is^^) inters persed wit^ h-@/ ?.comedic ro%m( an_)?ce?(% sequenc@$es-# revolv/ ?+ ing around=^ th=! e##[ coupl@e's =_p=@;ast ro;^mantic in,:t)/erlud_es, and ` dr @,eams of +.how their @^[^li(ve s shoul((d be.
《女巫19/67》是莫洛·鲍罗尼尼,维托里奥·德西卡,皮埃尔·保罗·帕索里尼,佛朗哥·罗西,卢基诺·维斯康蒂于1967年创作的一部经典喜剧片作品， 由西尔瓦娜·曼加诺,安妮·吉拉尔多,弗朗西斯科·拉瓦尔,马西莫·吉洛蒂,维罗尼卡·旺代勒,埃尔莎·阿尔巴尼,克拉拉·卡拉马伊,玛丽卢·托洛,诺拉·里奇,迪诺·梅莱,赫尔穆特·贝格,布鲁诺·菲利皮尼,莱斯利·弗伦奇,阿尔贝托·索尔迪,托托,尼内托·达沃利,劳拉·贝蒂,克林特·伊斯特伍德,Valentino Macchi,Pietro Torrisi,马里奥·西普利亚尼,彼得罗·托尔迪等主演，在其它播出后引发了不少观众的讨论和好评。 影片通过 &@- quotTh,*e Wi[!:tch Burn^,t Alive&…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的喜剧片。
很多影迷之所以推荐《女巫19/67》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《女巫19/67》既保留了喜剧片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的喜剧片， 那么《女巫19/67》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-15850.html）完整看完。