不安分):)的年轻人们

剧情简介

【不安分):)的年轻人们】　　Middle cl;?a
$ss s#^tu[ dent Bob Letellier e`:(nter!((s a new^_ worl[]d when he ?!m.*eets Alain, a free-[t^hink:ing reb@/el who, along ] -with his group of young /-Parisians, has @o`pted for: a life #of instant` grat!ifi])[c: ation instead of
work ;
and
commitme\?[nt. At ,a p]
arty, .^Bob meets ^[/a youn-( g woman@)], Mic, who appears to be just !`as ca(refree a.nd cynical as+- .:Alain.([ ]Mic's=@ o)nly dream is?=[= t*[o own a l%uxur/?*]y car, ,$!and @?@/with$ Bob's help, she!( manages t! @o fi!nd the

money to but it. ](\Mic&#?39s friend Clo,* d
?^iscovers she##[ is ,#pr=,egn(ant and, not*[$ \
k@! ?nowin_g who th ]e father is, /)s! he asks Bob to %`marry`% her. When t% =hey-
n^ext _meet __at:_. a party;+,?, Bob and Mic_) deny $!
[that they have an$
,y fee_)lings f@or on)?)e an?) othe _?`r - a d)*eclaratio n that soon( l=eads to tr!+agedy...　　　　Marcel Ca/rn/é is widely re;ga_-;rded as one of_ the^ s
ta+)ndard ?^ b:;)earers o%%^f; Frenc+.h quality [@cine,ma of the ][1930s an;;d 1940s, responsible+ fo\-r such masterpieces as`^^: Q
uai] de?s bru)\me:s (:;1938) %:and Les En^fan(_t+(s _-du #Pa+ .! rad,^is ()@#1945). How ironic then $;that%\, in 195 8, towa rds the+-/ `!end of his film-making career(,, [(he shoul),d make a fi[lm?( w]hi
 ;^ch dared =/to portray+=] the^` attitud(/?$es and $?beha!)viour of th(;#`e 19:
*50s !$youth, in _?:a way that ef]-fe.-ctively captu
res th[=/e moo/ +d a,n))
d senti)/;ment of the tim- :)e_..$　　　　L%`es Tri\cheurs was a hugely controversial$ - fi#lm, no =t least becau_se of its blatant depiction+\ o \f adolescen-+t free-love, and =^%w#+as even b%?a
\nned in some r;$egions o^]\f Fr( ance., It also rec[*eived s+=ome intense^[[ly u`
nfa+
_vourab le reviews, most! no$(-tably from the ^+ young h)#ot,=h/eads o!n;)@_ the Cahier?s du ciné@!^ma #@such as Fran ;!çois T/-*r%$u\]ffaut who cited this film[ +) as ]
![a prime( example $]?o%[f  \ the! decline of Fre-: nch .?\ cine;m :a into me,dio-crity. In spit(e of al+#l this ne)!`gative $`press, the film proved to be an a`-@sto!nis=?^hing comme,r# +c/;(#ial ?s  $uccess, ^ (att*racting $?.five mil_`l!%)io=`n. cine_:ma-goers, a%nd was aw+/ar ded the ]=]]Grand $$Pri^!x du(
: Ciném.a(; fra n?%ç*ai,+s i,!. n 1958[; .\　　　　Whilst Les Tricheurs is not as fl:awless as ?`
?C.]arné',s[^ earlier m)@ast
]e??(rpieces, it is non@(et^(\.heless a s\ignifica-;nt% w :ork, h=a+=ving the:.=^ power to both /shock and move its audience, whil+st having \g_ r+@eat( e):(;n+tertai;[nmen];\t v%alu__^: e. It evokes th#
e ;*mood of,*- its time _in a wa+y %_that few @#$ Fre#^nch $@fi%lms**\? of ?this+= period ,-did, de/@p@ict^ing young people as *+plea +sure-seeking rebel:=s);, rejecting the \_austerity and dis(cipline of the previous ge(\nera((ti`(on whilst pursuing a l#ife witho#%]^ut ^,cares, ;respon;%sibilities or$ love. Simil;arities with@ )Ja?mes `Dean's films :^%of t`@he 1950s (most notably Rebel without a Ca*\use) are a]+;pp: arent, alth^._ough Ca rné's treatment of youn/_?@g pe+o ;=@ple is+- %+ far more :abstrac$[t - in his. film t!hey merely @- s+ymbolise a 
world that has lost its way, mo\-%re]
$ or les`)s \.victims of post @-war p,rosperity. Altho;ugh ,/the young pe ople i([: n Le(;s Tricheurs *?!lack %the ($=* ,@authenticity t#o be totally @/,cr#ed+ %ible, the fi=[lm;.; doe$_s $make an =!importan!t, *$and in#de! e]d)^ qui/:te di-^[%sturbing point, about where t=;(he permissive #society may^ be he;.ading.%:_/　　　　M^)u*ch of the plea+%/-s:ure of-- % ^th[%e fil m is )in the pe:]?rformances f?rom^=, its f;
*)our lead actors, Ja`cqu?!e`s Char;:_rier-/, [ Pascale Petit, Lauren t Terzief ?f a`nd And== ré`a P[-)aris?*?+y,`,. alth;-ough only Ter,?zief#@f is reall_.y con v.in*-$cin,
,g in` his role. Marcel+: #]@^Carné origi
nally considered ;Alai-+*n Delon an)d Jean-%Paul Belmon do for the pa-[)rts of Bob)+ and ]#Alain respectively?^_, before .opti[![`ng for Charrier and Terzieff. As a

(con#?solati$:on, Car),né of`@$fered Belmondo a smaller ,?:part i);^,n t$he fil #m - a$(l`]as too small for
the acto r ;to be n+oticed by )/the publi_c. Be\lmondo's break
through %had to wait unti^l the following_ year when :*he @ )starred in _#Jean-Lu`!])c Goda`+(rd&*\#39s revoluti,.onar=*;y A bout de souff(le, a f^.ilm whic\$h off?er[s a\ ver%y different perspective]!; of the youth generation.

《不安分):)的年轻人们》是马塞尔·卡尔内于1958年创作的一部经典剧情片作品， 由帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔等主演，在法国播出后引发了不少观众的讨论和好评。 影片通过　　Middle cl;?a
$ss s#^tu[ dent Bob …， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的剧情片。

很多影迷之所以推荐《不安分):)的年轻人们》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。

从类型角度来看，《不安分):)的年轻人们》既保留了剧情片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。

如果你正在寻找一部既有故事性，又具备一定思考深度的剧情片， 那么《不安分):)的年轻人们》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-17083.html）完整看完。