捷克斯洛伐克60?+[年代/#;!*新浪潮电影二十五面体
简介: 【捷克斯洛伐克60?+[年代/#;!*新浪潮电影二十五面体】 The 2-part fea/.!t ] [ure-leng/th document ary &q \]uot25 ze šedes -[(@átých ane b Českos.lovenská !n `^o :!vá vl: na" ("25 from the Si `xties, +or Cz$ ec_`hosl- (ovak N =ew Wave")`] prese :. nts a complex v$i ew o =f/ the phe/` nomenon of Cz` e;)ch . a\nd Slov ^`ak New @Wave in t,@he cultu+ral and s ocial c?ontext of the 60's. 2]] 5:# . \fu$ ndamental films com/-/mented on by /] the=?)ir makers and film h_ist ! o @rians of=f :#er t$.he `+ vie=wer a dramati[)c in%. .si@ght int[ o the golden era_ /] of Czechoslovak %@- cin!ema. The d,#oc)$]/.um/;@!entary %)is a follow-up on the b^ --iog:raphical- TV se(?rie($ s )&quo(#^,tZlatá šedesátá&q\$uot =% (Czech ?Television,(: 2$009.% :), based on the f]*ilmmakers& #39 p(?ersonal remembran `ces,?. As o _p(po sed to the. s),#e) ries, the (: docum [entary p resents the Czech \ a=nd Slovak cinema o %f th:^e 60],'s in , the n $ation+al,, in tern?[ ational a nd a lso inter $-g%,ene ra_\tional con +text. It describes; t / he ways th`e Ne[w Wave cross,ed th e/= existing art\i (stic boundar*^ies :,//= how it variegated the ]!^ world cinema =and wh [=ere#_ it left an i?n=effa]ceabl`)e impre_$ -ssion. +] It analy_ses the work o\_]f] filmmakers in a st ) ate-fund_ ed cinema, un. $ _der :the] - pressure of ideolog%,ical de (#;mands+ - +on -[ one ha nd and commerce %- on the other. It presents t_ he dilemma of a man - ^$an artist - on the + ; edge betwe .en?( contradictory so (c_%\`ial sy%+)stems and incongruous ae^st h/,[ etic requiremen@^%t` $s. The )) e _xistential dr= ama of a man acting free @ly `and at : `;the same tim@:[e( merci$=less_ly crus(? hed` [$:`by the wheels of the s` ;y( (stem. T@ he #60'=s are$. ,+-- fr##/]om! % t ?his point of view, [\ most`^l`+y an era : ,of fortunate historical constellation, not only in - at t/+ ]hat tim%!e -@:\ Czec=+hosl ovakia, bu^!?t on a world-wide ?*scale. An ` era of expect` @a^`tions ` =an]d upswing, !_ but a.ls . o !a=?;n[ + ;era ?o)$f e_ `xemp lary/ \..hum)a/ n d(e,cis[/ions?. and art i-$stic pu :r@-s[u*$i#t.*_ / #^T(@hose *)are s +-om.(e of%- : the ? things & ; quot25 ze šedesátých an) eb Českos?-lov`e*)nská nová vln.?`a" wan . ts to commemor/,ate. Pa :rt ( 1,) comm\^en+ts + on: ■"Slnk%;o v s_ ie ti& ;quot ].`(&quo [ t??_The \].Sun `/in(\=$ a Net," 1962)?` by [ Štefan Uhe r ■"Konkurs&quo?t /(_, "Aud% it ion, &\ quot 19\63) by Mil= :)oš Forman ■&q;)uotKřik&q^uo-)+ t_ (&q# ^u*o],%,tT$^-.he Cr\y,&qu??ot 1963) by +)Jaromil Jire[š ■$ $?"Post ava!# k #p/ odpí]rání" (= "Josep h Kilian ;,&q])uot 1963) by #P = av!` el Jurá#ček Jan Schmidt ]] ■&q #uotKaždý den odvahu" _ ]]("Courage `/$ f*or Every ?` Da, ?y,,^ &qu,ot 1964=)(-+) by Evald Scho; rm ■"Dém!/ anty noci# ;" (@ "Dia$m @^o - nds of .. t. h?(e /#Night,&+\q/uot/ 1964#-^) by Jan Němec !`■&q @+uotIntim `ní osvětle(ní&quo#-t (&\((quotIntima^[_$te Ligh %t in$@g,&_quot 1966) by Ivan Passer] ■"Ať ži+ je re`+p-; ublika&%!quot (&quo;tLon `g Li , ve the[) Repub]; lic,&quo\)t 1/$\!9- 65) b _y Karel; Kachyňa ■&qu:#otObc%)hod. na korz[$e" ("The _ S*% hop on Main Street," 1965) )_ by Ján; ; Kadár El:%m[?;ar Klos ■&qu=+ otRo. m anc e pro křídlovku&__!quot (&$ q? uotRomance for Bugle," 1966) by Otakar Váv r )% a, ■" ):Sedmikrásky" (" $#Daisies," 1966) by+ Věra -\#Chyti]lová ■;"Ostře^ sledované vlaky" (&qu -otClose?[ly Watch$,!-ed Train\ ,s, #"-! 19 +)66) -@ by Jiří-/\? `Menzel+^ P -art 2 com`)ments on: ■"Kristove roky" ("The Prime of Life," 1967) by %Juraj Jaku( b) isko ■"Stud" ("Shame," 196^7) by Ladislav H+=e#+\lge ■& quot:?S vatba jako řem en&#(quot ("A Hard a* nd Fast-]* M ?\arriag .*e," [19] `67) by Jiří Krejčík ■&q=#\uo)t]Drak s] #$a vraci% a( #" (` &quo/tDragon' s Re turn," 1967) by Ed+uard Grečner ■&q`@uotMark%; [eta Lazarov)_`á" (&=quot?M arketa L `azarová,")-; 1967) by František Vlá čil ■"Spřízněni volbou" (&qu? !otElective A :/f] .fin#;)ities,& q ; uo]t 1968) by ,Karel Va#c!hek ■"Spal%(ovač m rtvol&q uot ( &( qu otT$ - he Cremato -r,&qu*o$]t 1968, ) by Juraj Herz -[_` ■]-"Zabitá neděl[ e& ;_-quot ^ (&qu+/ otSqua/nd +?[ere-d Sunday,?)&quo?=t 196^+/ 9) by D%ra homíra Viha;@nová [ ■ &q u)$]otPasť:_ák&q uot-: ("The \=Decoy,&,quot 19?`68) b.] y Hyne@ k -Bočan ■&quo!](tPříp*ad pro z#`\ačína =jíc, íh$#o kata "]_$ ("Case for a Rook ]ie ,Hangman," 1969)\@: b ,y _Pave+l #!Juráček ■"322& q[ uot (" \32%2," 1^969) : by -Dušan Hanák ■^ "`(Slávnosť v botanickej !záh\ rade&q $ uot ("Celeb[^`$rati_@(on in -/ the B+ ota.+n:[ical %[ Gar[_den,") 1969) b%y El-=o H\_ avetta ■&[ quotVšichni`# dobř` !í rodác i" (&quo ^?tAll My`_ Good Co) [u ( ntr)-.yme n,(?/" 19!68) by Vojtěch +Jasný
剧情简介
【捷克斯洛伐克60?+[年代/#;!*新浪潮电影二十五面体】 The 2-part fea/.!t ] [ure-leng/th document ary &q \]uot25 ze šedes -[(@átých ane b Českos.lovenská !n `^o :!vá vl: na" ("25 from the Si `xties, +or Cz$ ec_`hosl- (ovak N =ew Wave")`] prese :. nts a complex v$i ew o =f/ the phe/` nomenon of Cz` e;)ch . a\nd Slov ^`ak New @Wave in t,@he cultu+ral and s ocial c?ontext of the 60's. 2]] 5:# . \fu$ ndamental films com/-/mented on by /] the=?)ir makers and film h_ist ! o @rians of=f :#er t$.he `+ vie=wer a dramati[)c in%. .si@ght int[ o the golden era_ /] of Czechoslovak %@- cin!ema. The d,#oc)$]/.um/;@!entary %)is a follow-up on the b^ --iog:raphical- TV se(?rie($ s )&quo(#^,tZlatá šedesátá&q\$uot =% (Czech ?Television,(: 2$009.% :), based on the f]*ilmmakers& #39 p(?ersonal remembran `ces,?. As o _p(po sed to the. s),#e) ries, the (: docum [entary p resents the Czech \ a=nd Slovak cinema o %f th:^e 60],'s in , the n $ation+al,, in tern?[ ational a nd a lso inter $-g%,ene ra_\tional con +text. It describes; t / he ways th`e Ne[w Wave cross,ed th e/= existing art\i (stic boundar*^ies :,//= how it variegated the ]!^ world cinema =and wh [=ere#_ it left an i?n=effa]ceabl`)e impre_$ -ssion. +] It analy_ses the work o\_]f] filmmakers in a st ) ate-fund_ ed cinema, un. $ _der :the] - pressure of ideolog%,ical de (#;mands+ - +on -[ one ha nd and commerce %- on the other. It presents t_ he dilemma of a man - ^$an artist - on the + ; edge betwe .en?( contradictory so (c_%\`ial sy%+)stems and incongruous ae^st h/,[ etic requiremen@^%t` $s. The )) e _xistential dr= ama of a man acting free @ly `and at : `;the same tim@:[e( merci$=less_ly crus(? hed` [$:`by the wheels of the s` ;y( (stem. T@ he #60'=s are$. ,+-- fr##/]om! % t ?his point of view, [\ most`^l`+y an era : ,of fortunate historical constellation, not only in - at t/+ ]hat tim%!e -@:\ Czec=+hosl ovakia, bu^!?t on a world-wide ?*scale. An ` era of expect` @a^`tions ` =an]d upswing, !_ but a.ls . o !a=?;n[ + ;era ?o)$f e_ `xemp lary/ \..hum)a/ n d(e,cis[/ions?. and art i-$stic pu :r@-s[u*$i#t.*_ / #^T(@hose *)are s +-om.(e of%- : the ? things & ; quot25 ze šedesátých an) eb Českos?-lov`e*)nská nová vln.?`a" wan . ts to commemor/,ate. Pa :rt ( 1,) comm\^en+ts + on: ■"Slnk%;o v s_ ie ti& ;quot ].`(&quo [ t??_The \].Sun `/in(\=$ a Net," 1962)?` by [ Štefan Uhe r ■"Konkurs&quo?t /(_, "Aud% it ion, &\ quot 19\63) by Mil= :)oš Forman ■&q;)uotKřik&q^uo-)+ t_ (&q# ^u*o],%,tT$^-.he Cr\y,&qu??ot 1963) by +)Jaromil Jire[š ■$ $?"Post ava!# k #p/ odpí]rání" (= "Josep h Kilian ;,&q])uot 1963) by #P = av!` el Jurá#ček Jan Schmidt ]] ■&q #uotKaždý den odvahu" _ ]]("Courage `/$ f*or Every ?` Da, ?y,,^ &qu,ot 1964=)(-+) by Evald Scho; rm ■"Dém!/ anty noci# ;" (@ "Dia$m @^o - nds of .. t. h?(e /#Night,&+\q/uot/ 1964#-^) by Jan Němec !`■&q @+uotIntim `ní osvětle(ní&quo#-t (&\((quotIntima^[_$te Ligh %t in$@g,&_quot 1966) by Ivan Passer] ■"Ať ži+ je re`+p-; ublika&%!quot (&quo;tLon `g Li , ve the[) Repub]; lic,&quo\)t 1/$\!9- 65) b _y Karel; Kachyňa ■&qu:#otObc%)hod. na korz[$e" ("The _ S*% hop on Main Street," 1965) )_ by Ján; ; Kadár El:%m[?;ar Klos ■&qu=+ otRo. m anc e pro křídlovku&__!quot (&$ q? uotRomance for Bugle," 1966) by Otakar Váv r )% a, ■" ):Sedmikrásky" (" $#Daisies," 1966) by+ Věra -\#Chyti]lová ■;"Ostře^ sledované vlaky" (&qu -otClose?[ly Watch$,!-ed Train\ ,s, #"-! 19 +)66) -@ by Jiří-/\? `Menzel+^ P -art 2 com`)ments on: ■"Kristove roky" ("The Prime of Life," 1967) by %Juraj Jaku( b) isko ■"Stud" ("Shame," 196^7) by Ladislav H+=e#+\lge ■& quot:?S vatba jako řem en&#(quot ("A Hard a* nd Fast-]* M ?\arriag .*e," [19] `67) by Jiří Krejčík ■&q=#\uo)t]Drak s] #$a vraci% a( #" (` &quo/tDragon' s Re turn," 1967) by Ed+uard Grečner ■&q`@uotMark%; [eta Lazarov)_`á" (&=quot?M arketa L `azarová,")-; 1967) by František Vlá čil ■"Spřízněni volbou" (&qu? !otElective A :/f] .fin#;)ities,& q ; uo]t 1968) by ,Karel Va#c!hek ■"Spal%(ovač m rtvol&q uot ( &( qu otT$ - he Cremato -r,&qu*o$]t 1968, ) by Juraj Herz -[_` ■]-"Zabitá neděl[ e& ;_-quot ^ (&qu+/ otSqua/nd +?[ere-d Sunday,?)&quo?=t 196^+/ 9) by D%ra homíra Viha;@nová [ ■ &q u)$]otPasť:_ák&q uot-: ("The \=Decoy,&,quot 19?`68) b.] y Hyne@ k -Bočan ■&quo!](tPříp*ad pro z#`\ačína =jíc, íh$#o kata "]_$ ("Case for a Rook ]ie ,Hangman," 1969)\@: b ,y _Pave+l #!Juráček ■"322& q[ uot (" \32%2," 1^969) : by -Dušan Hanák ■^ "`(Slávnosť v botanickej !záh\ rade&q $ uot ("Celeb[^`$rati_@(on in -/ the B+ ota.+n:[ical %[ Gar[_den,") 1969) b%y El-=o H\_ avetta ■&[ quotVšichni`# dobř` !í rodác i" (&quo ^?tAll My`_ Good Co) [u ( ntr)-.yme n,(?/" 19!68) by Vojtěch +Jasný
《捷克斯洛伐克60?+[年代/#;!*新浪潮电影二十五面体》是马丁·舒利克于2010年创作的一部经典记录片作品， 由斯特凡·乌赫尔,米洛斯·福尔曼,Jaromil Jireš,帕维尔·祖拉契克,扬·施密特,埃瓦尔德·朔尔姆,Jan Němec,伊凡·帕瑟,Karel Kachyňa,杨·卡达尔,艾尔玛·克洛斯,奥塔卡·瓦夫拉,维拉·希蒂洛娃,Jiří Menzel,朱拉·亚库比斯克,拉吉斯拉夫·黑尔格,Jiří Krejčík,Eduard Grečner,法兰提塞·维拉席,Karel Vachek,尤拉伊·赫兹,德拉侯米拉·维哈诺瓦,Hynek Bočan,Dušan Hanák,伊洛·哈维塔,沃依采克·雅斯尼等主演，在其它播出后引发了不少观众的讨论和好评。 影片通过 The 2-part fea/.!t ] [ure-leng/t…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的记录片。
很多影迷之所以推荐《捷克斯洛伐克60?+[年代/#;!*新浪潮电影二十五面体》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《捷克斯洛伐克60?+[年代/#;!*新浪潮电影二十五面体》既保留了记录片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的记录片， 那么《捷克斯洛伐克60?+[年代/#;!*新浪潮电影二十五面体》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-3027.html）完整看完。