弗兰克·劳埃德·赖特：建筑=?美国之人
简介: 【弗兰克·劳埃德·赖特：建筑=?美国之人】 *Frank Lloyd :!Wright !_is [Am;erica's grea( ! tes?*t-ever [^=archi^, =tect. )`)Ho we ve#r, few people know about t[he Welsh roo=ts )that shaped!+,] his l\+i+))fe and world-famou@@ s[. build=ings. ] No[w, ]^leading Wel sh ^+archi@-tect Jonathan Ad[ams set @/s off- across %=`America, = .%t^; $ o :-;explore F/\=rank Lloyd W^right's mast/=erpie@_#ces for himself. Along the way`%^, he uncovers )the temp[[]e@ s;;( tuous l$ .ife s-tory of the man behi `.nd ! t?,hem and th]e si#);g.( :nifican\ ce o$f his radical fam:)i\- %)ly backgr)%ound. In ),a career^ spanning seven, decades, F,\ran /k Lloyd W/,right built ove\,r 500 buildings, %: and cha^ng)ed the . ?face @!of modern _:architec! ture: Falling*#,water, th + e hou:)se o-+ /v ^er #the wat erfall, has been]/ cal^ %led the greate ?s. t hou. se ):of the 2.0th ce=?,;ntury th*;e s`pirall:_ing Gu(ggen^heim Museum in Ne@ (w Yo/@ rk reinvented t%;\?he art museu+#m t `\he ]/conc(rete Unity Te mple was _ the fi,@\rs* t truly modern \* b uil !#ding\ in^:(? !(the w+or` ^ld. / / But) th,=e?`] %)@underlyi $ng phil oso^,phy tha[ t li^;:nks all W!,/right's buildin *gs is as important as)-[ any ]=thing [ he buil t@?. Those ideas were rooted in the Unita?rian religi.on o,;!f Fr?ank Lloyd Wright'! .s mo `(ther. Anna Lloyd J\one$:s =;w$;as = born and :,rai= sed %@near\ Llandysul ,, in west. Wale* )=s and migrated to America with her family i=@n ) ;18 [ ^44, m#_ost likely to escape #r ;eligious per/s?ec;#ution. #H= er son, F$=rank, was rai[sed i_n;\[` :a Unit=_ arian community in W iscon, sin, a small p`\iece of Wal/=es?! in Americ;-^a. T)$`he va:_.l@u]:es he ab )/sorbed?., ^=there were based on the san%ctity of na /t;; ure, the importa;]-nce-; of hard wor`#k:, and th#e n`eed t, (o+`** question c `onve*.n ,/tion and defy it wh ere ne:/ces\sary. Wright^-'s archi[]tec^ ture $ : was shaped by, and expr!es sed, these b[` %eliefs.(= Fran[ k Lloyd Wright set o![ut to /;)crea($te [a new Am.erican archite`c= tur_[e for%\ ]+ a new $c - ountry. He bui$lt his own^ lifelong hom :e +_!in t $+-h+e v :alle% y he was raised in, and he named it aft (er @=;an ancient We [lsh bard @/ ca$ lled Ta)liesin:!/. I t was th=e scene of many adventur%e =( :s - !-`and \:a h*%or`_rific crime. In 1),9! ? 14, %/a servant at Tal \ie @-sin ra$n! - amok an\$d killed `/seve+ n peopl]:e including Wright-`'s part]./ne r,%^- Mamah - Che_]) ney, and her tw ]o young chi: :ldren. Wright re`)`built his hom!]+] e and went= :on to marry a/ ( Mon+tenegrin %w ;o ^man, Olgi_*$:va\)nna Milanoff, ^some 30 yea^rs;= y[%ounger than him. I t was Olgiva*] nna who s\t).ruck upon ^) the idea that -_s%aved W+ @right's ($!car;, eer afte^ =r the` $( Wa/ll Street _Crash and personal s`/.canda(]l\ laid it ]*low._+ . She %\d_*?ecided that h^er husban?.-d) should take[+ on apprentic_(es a@@[nd tha t +[,the apprenti+ce. s should pay for/ the\ privi-lege. The Talies=in Fe^llowship had a %$hands-*( `o*n approa\=-ch, ? with apprentices often buildin g : e((xtensions **/to Wright's # `own houses, labouring and cooking for [)him. Somehow i..t wo! rked_, las+tin #/g for decades \an !)d nurturin ^ g h_ undr=ed( s of young talents.,/ Frank][ (,Lloyd ; Wright : @ di-[ed+!) in:_ 1959 a]ged 91 while working [=on% his f ina[$#l / \[ma) s^[/[terpiece, New Yor^ k)$( ?,`9s incomparable Gugge@#nheim,. Muse / um..:` He had been bo % rn i,)^n the=%*;_ wake of@$. the American$_ civil$ . war, th_`e son of a pio:nee: r, and died a televis ion celebrity, in t;he spac_, _e age^ . He is buried in the +?shadow o\(f T. aliesin, along]:side ;his Welsh ances[ tors] . A 150 years,. after his birth ], Jonathan Adams argues tha ?t Frank ^ Lloyd W #right is `!( n: $ow a %-)vital%ly impor.\tan t^ figure who,? can : teac,h us how to bui:).ld for[ a bette%r = `wor=)/ ld. Wr(ight @(%b`elieved in wha^t)! he c[a+;__l,le =*d organic arc$ hite[(+ ct(,#ure buildi ngs #that .+g@$r[@ace , @the landscape, expre .ss a,? $n idea of h^?_#ow to live and respond to in# @dividual ne !eds. This b espoke approach - a(/$ phi#losophy, n(o=;t a -style - p:#\#uts him@/[? at the he =/$art of? : m% o[ d(+ ern archi@t!;)ectura)=l thinking.
剧情简介
【弗兰克·劳埃德·赖特：建筑=?美国之人】 *Frank Lloyd :!Wright !_is [Am;erica's grea( ! tes?*t-ever [^=archi^, =tect. )`)Ho we ve#r, few people know about t[he Welsh roo=ts )that shaped!+,] his l\+i+))fe and world-famou@@ s[. build=ings. ] No[w, ]^leading Wel sh ^+archi@-tect Jonathan Ad[ams set @/s off- across %=`America, = .%t^; $ o :-;explore F/\=rank Lloyd W^right's mast/=erpie@_#ces for himself. Along the way`%^, he uncovers )the temp[[]e@ s;;( tuous l$ .ife s-tory of the man behi `.nd ! t?,hem and th]e si#);g.( :nifican\ ce o$f his radical fam:)i\- %)ly backgr)%ound. In ),a career^ spanning seven, decades, F,\ran /k Lloyd W/,right built ove\,r 500 buildings, %: and cha^ng)ed the . ?face @!of modern _:architec! ture: Falling*#,water, th + e hou:)se o-+ /v ^er #the wat erfall, has been]/ cal^ %led the greate ?s. t hou. se ):of the 2.0th ce=?,;ntury th*;e s`pirall:_ing Gu(ggen^heim Museum in Ne@ (w Yo/@ rk reinvented t%;\?he art museu+#m t `\he ]/conc(rete Unity Te mple was _ the fi,@\rs* t truly modern \* b uil !#ding\ in^:(? !(the w+or` ^ld. / / But) th,=e?`] %)@underlyi $ng phil oso^,phy tha[ t li^;:nks all W!,/right's buildin *gs is as important as)-[ any ]=thing [ he buil t@?. Those ideas were rooted in the Unita?rian religi.on o,;!f Fr?ank Lloyd Wright'! .s mo `(ther. Anna Lloyd J\one$:s =;w$;as = born and :,rai= sed %@near\ Llandysul ,, in west. Wale* )=s and migrated to America with her family i=@n ) ;18 [ ^44, m#_ost likely to escape #r ;eligious per/s?ec;#ution. #H= er son, F$=rank, was rai[sed i_n;\[` :a Unit=_ arian community in W iscon, sin, a small p`\iece of Wal/=es?! in Americ;-^a. T)$`he va:_.l@u]:es he ab )/sorbed?., ^=there were based on the san%ctity of na /t;; ure, the importa;]-nce-; of hard wor`#k:, and th#e n`eed t, (o+`** question c `onve*.n ,/tion and defy it wh ere ne:/ces\sary. Wright^-'s archi[]tec^ ture $ : was shaped by, and expr!es sed, these b[` %eliefs.(= Fran[ k Lloyd Wright set o![ut to /;)crea($te [a new Am.erican archite`c= tur_[e for%\ ]+ a new $c - ountry. He bui$lt his own^ lifelong hom :e +_!in t $+-h+e v :alle% y he was raised in, and he named it aft (er @=;an ancient We [lsh bard @/ ca$ lled Ta)liesin:!/. I t was th=e scene of many adventur%e =( :s - !-`and \:a h*%or`_rific crime. In 1),9! ? 14, %/a servant at Tal \ie @-sin ra$n! - amok an\$d killed `/seve+ n peopl]:e including Wright-`'s part]./ne r,%^- Mamah - Che_]) ney, and her tw ]o young chi: :ldren. Wright re`)`built his hom!]+] e and went= :on to marry a/ ( Mon+tenegrin %w ;o ^man, Olgi_*$:va\)nna Milanoff, ^some 30 yea^rs;= y[%ounger than him. I t was Olgiva*] nna who s\t).ruck upon ^) the idea that -_s%aved W+ @right's ($!car;, eer afte^ =r the` $( Wa/ll Street _Crash and personal s`/.canda(]l\ laid it ]*low._+ . She %\d_*?ecided that h^er husban?.-d) should take[+ on apprentic_(es a@@[nd tha t +[,the apprenti+ce. s should pay for/ the\ privi-lege. The Talies=in Fe^llowship had a %$hands-*( `o*n approa\=-ch, ? with apprentices often buildin g : e((xtensions **/to Wright's # `own houses, labouring and cooking for [)him. Somehow i..t wo! rked_, las+tin #/g for decades \an !)d nurturin ^ g h_ undr=ed( s of young talents.,/ Frank][ (,Lloyd ; Wright : @ di-[ed+!) in:_ 1959 a]ged 91 while working [=on% his f ina[$#l / \[ma) s^[/[terpiece, New Yor^ k)$( ?,`9s incomparable Gugge@#nheim,. Muse / um..:` He had been bo % rn i,)^n the=%*;_ wake of@$. the American$_ civil$ . war, th_`e son of a pio:nee: r, and died a televis ion celebrity, in t;he spac_, _e age^ . He is buried in the +?shadow o\(f T. aliesin, along]:side ;his Welsh ances[ tors] . A 150 years,. after his birth ], Jonathan Adams argues tha ?t Frank ^ Lloyd W #right is `!( n: $ow a %-)vital%ly impor.\tan t^ figure who,? can : teac,h us how to bui:).ld for[ a bette%r = `wor=)/ ld. Wr(ight @(%b`elieved in wha^t)! he c[a+;__l,le =*d organic arc$ hite[(+ ct(,#ure buildi ngs #that .+g@$r[@ace , @the landscape, expre .ss a,? $n idea of h^?_#ow to live and respond to in# @dividual ne !eds. This b espoke approach - a(/$ phi#losophy, n(o=;t a -style - p:#\#uts him@/[? at the he =/$art of? : m% o[ d(+ ern archi@t!;)ectura)=l thinking.
《弗兰克·劳埃德·赖特：建筑=?美国之人》是Ian Michael Jones于2017年创作的一部经典记录片作品， 由Jonathan Adams等主演，在英国播出后引发了不少观众的讨论和好评。 影片通过 *Frank Lloyd :!Wright !_is [Am…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的记录片。
很多影迷之所以推荐《弗兰克·劳埃德·赖特：建筑=?美国之人》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《弗兰克·劳埃德·赖特：建筑=?美国之人》既保留了记录片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的记录片， 那么《弗兰克·劳埃德·赖特：建筑=?美国之人》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-30320.html）完整看完。