荣耀. 六十年
简介: 【荣耀. 六十年】 Sixty Glorious Years is an ex]ercis; e i`` n the crea t*\ion of i ! c^/ o$no.,graphy,@ b+ o#?t h for $?:Vic%-tor ia and `@its sta!_$r , Anna Ne#@agle=# (w \` ho subsequently b-\e:%cam+$+e known as & #39-Regal $# Neagle& `#+39). Just [a-.s El=! ++izabeth I ):comm = ?issioned a[_+rtis ^=t^;s:= to cr .eate flatte^ @ring ic$]onic ///im* a )ges for /%pub% lic consumption, so thi!-s film performs a similar fun_=ctio=+n, +-) for $) )Nea%*gle is more+ [ beau_tiful than the real life Victo $ ria[_.- Controversial events (such as ^( the &:]#39Irish pro`$ble,m') are _ omi?^%tted a[nd) $#unple(-asant a[\=spec]+ts. o+$f Vict! [-oria's char acter (h_;(er petulance, arrogance= /, ,%favouritism [and & ]^#3#] ;*9right ;to/ privileg =e&=##39)#] are gl,_ossed + over as endearin?\#g =#little &=#39whim=s'. A_*lbert acts as $)a moderatin..g influen c]e! when she goes + t oo !$f(\ar. T _he^ film followed ,$ a year# after - ]=the highly ]@/;s ?@u$ccessful Victoria the Great (d. $ Herber\t Wil$.cox, 19[37(). Again +?_the screenplay i*s by M,i%les;?_ Mall]?e*son (an) d Ro $be rt -Vansittart, and man* #*y of the support i` *ng ca ?st (the cream of actin%@)g. ta ,le nt of per) iod) r epeat their roles, this t ime $] for %;=[:the\ co #lour cam+=*eras. This wa s the first full length Technicolor film of![ cinemato/ %gr%apher Fredd;-^ie Young $, who cap -t(ur es \/ the sp* e ?ctacle of royal: ^ wed. @d$ ings, gr ;,and *,ball( ;=:s and opule ]nt interiors, with s+cen) es @@ac-tuall(#y filmed ?at )royal palaces. Vivid battle s cenes, set i[(n# Alex! ander Ko ^:rda&: #,3`9s empire terri[! .tory (Sevastop ol and th^e S-;.@udan), rival _ ,?,those in Th *#\e Four Fea .# thers (d. Z oltan ? Kord @$a?: 193 #9 +). ) $` T= he title music sets !the to%/ne: a regal choir; [ sings ;/over :a shot of th _ e ^_c =^r own`-. Elgar:9s 1901 'Pomp and Cir=!cumstance _`*9 ma])rc;= h is/ $-$heard during (@+t-`he di==amond%)$ j# ubil `ee celebra# t( io!ns![*/ and.+ #, as Vi#[/cto\%ria's coffin lies in state, the $film con)%c )l ude\%s with Anthony Collins &],#39 stately music acco=)#mpan)= ied by@ ^ the ^[%te;x [.!t of Rudyard Ki `pling&# 39s (? /&#/;39Le! st w^@)e forget'. Co+= %m`=bined( with the emoti@/^ (o=$?nal ap??^:peal o$^$:f sc;enes of Vi .ctori\_ %a _ c(?`onne-#ctin` /g wit!@)h her*)[ 'ordi$#[nar @:y fol]*k&# \39, t%! his i-s stirring stuff.# The? film connects ?with cont*emporary events o f 193) 8. The release of t] .wo= cele), b^ ratory roy al fi !lms w @=as i--^ntend@ _ed t?.\_o boost pu]b :(lic affect- `ion )+for the mona ?rchy in the #wake$+ of Edward VIII.[9??`s abdicatio,?n. A)^nglo-German relat._,ions ;wer;e another touchy s)ubject. -Wit:%h another war ? on the horizon, inf-+ luential voices wanted appe@%asem?.ent, and #;the film cou@l^d be seen to fit that agenda. ` Vict ??oria herself w =^as =]))of m` [ai,nly German des+ cent, _nickna)$^ med ]@\('\.)the grand ,=`mother= of ?\Eu?/rope', whi le Albert is. a &#\;39good Ger$man&#@$,39, cha, rmingly play-ed by /Anton W%](_a .lbrook as a cul%$tured, dec@ en*?t man. S_ ixty Gl@`orious \_+Years no ,=w seems unduly formal a nd reve_rential. Had $m,\ovies exis^/ted during Vi $ctori;a's re\i;.gn (they only)$ e\m `[erg ^ed at =^the end) - /this might have been the kind `of film pr+)o# \duced. U??__/nl$@\ike Mrs Brown (d.+ John Madd?#en, ./_ 1 997), it i$$/s all %#so v[/;!=ery &#@= 39Victorian /& #39 - ./ ,Ro^/ge\r Philip _ ^Mellor
剧情简介
【荣耀. 六十年】 Sixty Glorious Years is an ex]ercis; e i`` n the crea t*\ion of i ! c^/ o$no.,graphy,@ b+ o#?t h for $?:Vic%-tor ia and `@its sta!_$r , Anna Ne#@agle=# (w \` ho subsequently b-\e:%cam+$+e known as & #39-Regal $# Neagle& `#+39). Just [a-.s El=! ++izabeth I ):comm = ?issioned a[_+rtis ^=t^;s:= to cr .eate flatte^ @ring ic$]onic ///im* a )ges for /%pub% lic consumption, so thi!-s film performs a similar fun_=ctio=+n, +-) for $) )Nea%*gle is more+ [ beau_tiful than the real life Victo $ ria[_.- Controversial events (such as ^( the &:]#39Irish pro`$ble,m') are _ omi?^%tted a[nd) $#unple(-asant a[\=spec]+ts. o+$f Vict! [-oria's char acter (h_;(er petulance, arrogance= /, ,%favouritism [and & ]^#3#] ;*9right ;to/ privileg =e&=##39)#] are gl,_ossed + over as endearin?\#g =#little &=#39whim=s'. A_*lbert acts as $)a moderatin..g influen c]e! when she goes + t oo !$f(\ar. T _he^ film followed ,$ a year# after - ]=the highly ]@/;s ?@u$ccessful Victoria the Great (d. $ Herber\t Wil$.cox, 19[37(). Again +?_the screenplay i*s by M,i%les;?_ Mall]?e*son (an) d Ro $be rt -Vansittart, and man* #*y of the support i` *ng ca ?st (the cream of actin%@)g. ta ,le nt of per) iod) r epeat their roles, this t ime $] for %;=[:the\ co #lour cam+=*eras. This wa s the first full length Technicolor film of![ cinemato/ %gr%apher Fredd;-^ie Young $, who cap -t(ur es \/ the sp* e ?ctacle of royal: ^ wed. @d$ ings, gr ;,and *,ball( ;=:s and opule ]nt interiors, with s+cen) es @@ac-tuall(#y filmed ?at )royal palaces. Vivid battle s cenes, set i[(n# Alex! ander Ko ^:rda&: #,3`9s empire terri[! .tory (Sevastop ol and th^e S-;.@udan), rival _ ,?,those in Th *#\e Four Fea .# thers (d. Z oltan ? Kord @$a?: 193 #9 +). ) $` T= he title music sets !the to%/ne: a regal choir; [ sings ;/over :a shot of th _ e ^_c =^r own`-. Elgar:9s 1901 'Pomp and Cir=!cumstance _`*9 ma])rc;= h is/ $-$heard during (@+t-`he di==amond%)$ j# ubil `ee celebra# t( io!ns![*/ and.+ #, as Vi#[/cto\%ria's coffin lies in state, the $film con)%c )l ude\%s with Anthony Collins &],#39 stately music acco=)#mpan)= ied by@ ^ the ^[%te;x [.!t of Rudyard Ki `pling&# 39s (? /&#/;39Le! st w^@)e forget'. Co+= %m`=bined( with the emoti@/^ (o=$?nal ap??^:peal o$^$:f sc;enes of Vi .ctori\_ %a _ c(?`onne-#ctin` /g wit!@)h her*)[ 'ordi$#[nar @:y fol]*k&# \39, t%! his i-s stirring stuff.# The? film connects ?with cont*emporary events o f 193) 8. The release of t] .wo= cele), b^ ratory roy al fi !lms w @=as i--^ntend@ _ed t?.\_o boost pu]b :(lic affect- `ion )+for the mona ?rchy in the #wake$+ of Edward VIII.[9??`s abdicatio,?n. A)^nglo-German relat._,ions ;wer;e another touchy s)ubject. -Wit:%h another war ? on the horizon, inf-+ luential voices wanted appe@%asem?.ent, and #;the film cou@l^d be seen to fit that agenda. ` Vict ??oria herself w =^as =]))of m` [ai,nly German des+ cent, _nickna)$^ med ]@\('\.)the grand ,=`mother= of ?\Eu?/rope', whi le Albert is. a &#\;39good Ger$man&#@$,39, cha, rmingly play-ed by /Anton W%](_a .lbrook as a cul%$tured, dec@ en*?t man. S_ ixty Gl@`orious \_+Years no ,=w seems unduly formal a nd reve_rential. Had $m,\ovies exis^/ted during Vi $ctori;a's re\i;.gn (they only)$ e\m `[erg ^ed at =^the end) - /this might have been the kind `of film pr+)o# \duced. U??__/nl$@\ike Mrs Brown (d.+ John Madd?#en, ./_ 1 997), it i$$/s all %#so v[/;!=ery &#@= 39Victorian /& #39 - ./ ,Ro^/ge\r Philip _ ^Mellor
《荣耀. 六十年》是Herbert Wilcox于1938年创作的一部经典剧情片作品， 由Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla等主演，在英国播出后引发了不少观众的讨论和好评。 影片通过 Sixty Glorious Years is an ex]ercis…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的剧情片。
很多影迷之所以推荐《荣耀. 六十年》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《荣耀. 六十年》既保留了剧情片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的剧情片， 那么《荣耀. 六十年》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-48424.html）完整看完。