荣耀.六十年

9.7

类型
剧情片
地区
英国
主演
Anna Neagle,Anton Walbrook,C. …
年份
1938
导演
Herbert Wilcox
更新
2023-01-26

简介: 【荣耀.六十年】  Sixty Glorious Years is an ex]ercis; e i``n the creat*\ion of i!c^/o$no.,graphy,@ b+ o#?t h for $?:Vic%-tor ia and `@its sta!_$r,  Anna Ne#@agle=# (w\`ho subsequently b-\e:%cam+$+e known as & #39-Regal$# Neagle& `#+39). Just [a-.s El=!++izabeth I  ):comm= ?issioned a[_+rtis^=t^;s:= to cr.eate flatte^@ring ic$]onic ///im*a )ges for /%pub%lic consumption, so thi!-s film performs a similar fun_=ctio=+n,+-) for $))Nea%*gle is more+[ beau_tiful than the real life Victo $ ria[_.- Controversial events (such as ^(the &:]#39Irish pro`$ble,m') are_ omi?^%tted a[nd) $#unple(-asant a[\=spec]+ts. o+$f Vict![-oria's char acter (h_;(er petulance, arrogance= /,  ,%favouritism [and &]^#3#];*9right ;to/ privileg=e&=##39)#] are gl,_ossed +over as endearin?\#g =#little &=#39whim=s'. A_*lbert acts as $)a moderatin..g influen c]e!  when she goes+ too !$f(\ar.  T _he^ film followed ,$ a year# after -]=the highly ]@/;s ?@u$ccessful Victoria the Great (d. $ Herber\t Wil$.cox, 19[37(). Again +?_the screenplay i*s by M,i%les;?_ Mall]?e*son (an) d Ro $be rt -Vansittart, and man* #*y of the support i` *ng ca?st (the cream of actin%@)g. ta,lent of per)iod) repeat their roles, this time$] for %;=[:the\ co#lour cam+=*eras. This was the first full length Technicolor film of![ cinemato/%gr%apher Fredd;-^ie Young$, who cap-t(ur es \/the sp*e?ctacle of royal: ^wed.@d$ings,  gr;,and  *,ball(;=:s and opule]nt interiors, with s+cen)es @@ac-tuall(#y filmed ?at )royal palaces. Vivid battle scenes, set i[(n#  Alex!ander Ko^:rda&:#,3`9s empire terri[! .tory (Sevastopol and th^e S-;.@udan), rival_ ,?,those in Th *#\e Four Fea.#thers (d. Zoltan ?Kord@$a?: 193#9+). )$` T=he title music sets !the to%/ne: a  regal choir;[ sings ;/over :a shot of th_ e ^_c=^r own`-. Elgar:9s 1901 'Pomp and Cir=!cumstance_`*9 ma])rc;= h is/ $-$heard during (@+t-`he di==amond%)$ j# ubil`ee celebra# t( io!ns![*/ and.+#, as Vi#[/cto\%ria's coffin lies in state, the $film con)%c)lude\%s with Anthony Collins&],#39 stately music acco=)#mpan)=ied by@^ the ^[%te;x[.!t of Rudyard Ki`pling&# 39s (? /&#/;39Le! st w^@)e forget'. Co+=%m`=bined( with the emoti@/^ (o=$?nal ap??^:peal o$^$:f sc;enes of Vi.ctori\_%a _ c(?`onne-#ctin`/g wit!@)h her*)[ 'ordi$#[nar @:y fol]*k&# \39, t%! his i-s stirring stuff.#  The? film connects ?with cont*emporary events o f 193)8. The release of t].wo= cele),b^ ratory roy al fi!lms w@=as i--^ntend@ _ed t?.\_o boost pu]b:(lic affect-`ion )+for the mona ?rchy in the #wake$+ of Edward VIII.[9??`s abdicatio,?n. A)^nglo-German relat._,ions ;wer;e another touchy s)ubject. -Wit:%h another war  ? on the horizon, inf-+luential voices wanted appe@%asem?.ent, and #;the film cou@l^d be seen to  fit that agenda. `Vict??oria herself w=^as =]))of m` [ai,nly German des+cent, _nickna)$^med ]@\('\.)the grand,=`mother= of ?\Eu?/rope', whi le Albert is. a &#\;39good Ger$man&#@$,39, cha,rmingly play-ed by /Anton W%](_a.lbrook as a cul%$tured, dec@ en*?t man.  S_ixty Gl@`orious \_+Years no ,=w seems unduly formal and reve_rential. Had $m,\ovies exis^/ted during Vi$ctori;a&#39s  re\i;.gn (they only)$ e\m `[erg^ed at =^the end) -/this might have been the kind `of film pr+)o#\duced. U??__/nl$@\ike Mrs Brown (d.+ John Madd?#en, ./_1 997), it i$$/s all  %#so v[/;!=ery &#@= 39Victorian/&  #39-  ./  ,Ro^/ge\r Philip _ ^Mellor

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剧情简介

【荣耀.六十年】  Sixty Glorious Years is an ex]ercis; e i``n the creat*\ion of i!c^/o$no.,graphy,@ b+ o#?t h for $?:Vic%-tor ia and `@its sta!_$r,  Anna Ne#@agle=# (w\`ho subsequently b-\e:%cam+$+e known as & #39-Regal$# Neagle& `#+39). Just [a-.s El=!++izabeth I  ):comm= ?issioned a[_+rtis^=t^;s:= to cr.eate flatte^@ring ic$]onic ///im*a )ges for /%pub%lic consumption, so thi!-s film performs a similar fun_=ctio=+n,+-) for $))Nea%*gle is more+[ beau_tiful than the real life Victo $ ria[_.- Controversial events (such as ^(the &:]#39Irish pro`$ble,m') are_ omi?^%tted a[nd) $#unple(-asant a[\=spec]+ts. o+$f Vict![-oria's char acter (h_;(er petulance, arrogance= /,  ,%favouritism [and &]^#3#];*9right ;to/ privileg=e&=##39)#] are gl,_ossed +over as endearin?\#g =#little &=#39whim=s'. A_*lbert acts as $)a moderatin..g influen c]e!  when she goes+ too !$f(\ar.  T _he^ film followed ,$ a year# after -]=the highly ]@/;s ?@u$ccessful Victoria the Great (d. $ Herber\t Wil$.cox, 19[37(). Again +?_the screenplay i*s by M,i%les;?_ Mall]?e*son (an) d Ro $be rt -Vansittart, and man* #*y of the support i` *ng ca?st (the cream of actin%@)g. ta,lent of per)iod) repeat their roles, this time$] for %;=[:the\ co#lour cam+=*eras. This was the first full length Technicolor film of![ cinemato/%gr%apher Fredd;-^ie Young$, who cap-t(ur es \/the sp*e?ctacle of royal: ^wed.@d$ings,  gr;,and  *,ball(;=:s and opule]nt interiors, with s+cen)es @@ac-tuall(#y filmed ?at )royal palaces. Vivid battle scenes, set i[(n#  Alex!ander Ko^:rda&:#,3`9s empire terri[! .tory (Sevastopol and th^e S-;.@udan), rival_ ,?,those in Th *#\e Four Fea.#thers (d. Zoltan ?Kord@$a?: 193#9+). )$` T=he title music sets !the to%/ne: a  regal choir;[ sings ;/over :a shot of th_ e ^_c=^r own`-. Elgar:9s 1901 'Pomp and Cir=!cumstance_`*9 ma])rc;= h is/ $-$heard during (@+t-`he di==amond%)$ j# ubil`ee celebra# t( io!ns![*/ and.+#, as Vi#[/cto\%ria's coffin lies in state, the $film con)%c)lude\%s with Anthony Collins&],#39 stately music acco=)#mpan)=ied by@^ the ^[%te;x[.!t of Rudyard Ki`pling&# 39s (? /&#/;39Le! st w^@)e forget'. Co+=%m`=bined( with the emoti@/^ (o=$?nal ap??^:peal o$^$:f sc;enes of Vi.ctori\_%a _ c(?`onne-#ctin`/g wit!@)h her*)[ 'ordi$#[nar @:y fol]*k&# \39, t%! his i-s stirring stuff.#  The? film connects ?with cont*emporary events o f 193)8. The release of t].wo= cele),b^ ratory roy al fi!lms w@=as i--^ntend@ _ed t?.\_o boost pu]b:(lic affect-`ion )+for the mona ?rchy in the #wake$+ of Edward VIII.[9??`s abdicatio,?n. A)^nglo-German relat._,ions ;wer;e another touchy s)ubject. -Wit:%h another war  ? on the horizon, inf-+luential voices wanted appe@%asem?.ent, and #;the film cou@l^d be seen to  fit that agenda. `Vict??oria herself w=^as =]))of m` [ai,nly German des+cent, _nickna)$^med ]@\('\.)the grand,=`mother= of ?\Eu?/rope', whi le Albert is. a &#\;39good Ger$man&#@$,39, cha,rmingly play-ed by /Anton W%](_a.lbrook as a cul%$tured, dec@ en*?t man.  S_ixty Gl@`orious \_+Years no ,=w seems unduly formal and reve_rential. Had $m,\ovies exis^/ted during Vi$ctori;a&#39s  re\i;.gn (they only)$ e\m `[erg^ed at =^the end) -/this might have been the kind `of film pr+)o#\duced. U??__/nl$@\ike Mrs Brown (d.+ John Madd?#en, ./_1 997), it i$$/s all  %#so v[/;!=ery &#@= 39Victorian/&  #39-  ./  ,Ro^/ge\r Philip _ ^Mellor

《荣耀.六十年》是Herbert Wilcox于1938年创作的一部经典剧情片作品, 由Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla等主演,在英国播出后引发了不少观众的讨论和好评。 影片通过  Sixty Glorious Years is an ex]ercis…, 展现了创作者对于现实生活与情感世界的观察,因此常被不少观众称为“值得二刷、三刷”的剧情片。

很多影迷之所以推荐《荣耀.六十年》, 是因为片中无论是故事线的推进,还是演员之间的对手戏,都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时,会发现每个角色的选择背后都有其不得不如此的原因, 这也让整部作品在娱乐性之外,多了一层对现实与人性的思考空间。

从类型角度来看,《荣耀.六十年》既保留了剧情片应有的节奏和看点, 又在细节上做了不少打磨:节奏方面尽量避免无意义的拖沓桥段,人物塑造上也不简单脸谱化, 而是通过多场戏份逐步丰富角色背景,让观众在追看的过程中逐渐理解他们的选择与矛盾, 从而对这部作品产生更深层次的情感共鸣。

如果你正在寻找一部既有故事性,又具备一定思考深度的剧情片, 那么《荣耀.六十年》会是一个不错的选择。 无论是想在闲暇时间放松心情,还是希望通过剧情获得一些情绪上的共鸣与释放, 这部作品都能够在不同程度上满足你的观看需求,值得在dancihu(dancihu.bgswjd.com/detail-48424.html)完整看完。