O somma%/ ?_ l [uce
简介: 【O somma%/ ?_ l [uce】 转$[*`自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end %^of p!*a radise on ea; rth.”—=`@Jean_(!-Mari;;e Str::aub ` Th)_e)%,; :33rd ve(# r =s` e , - :an*$. %d last cha- nt of “paradise” ) / in D:\ante’s Di^v*#ine Comedy.=^ , The film (_starts with verse 67,+[] “/)O; somma luce…”!+ and continues to^ ) t@?he e,$nd:!. “O Somma luce (” recal:]$ls :_the f -/(irst wo@,rd s utt) ered by Emped!`o :$c/les in D anièle Huill+#et `and Jean-Ma.*rie Straub’s* 19+\`^87 T(+he Dea!#th of %Empedoc`=les—“O himmlisch Licht!…” (O heavenl=,!y light!). This extract fro ,m `Hölderli.n’s text is also insert ed i*+nt+ o t!heir ::19-]%[8- %9 fil*m Cézanne. -* “O somma luce” : inv ]okes u@. )top$- ia, ) , or be*:.tter sti,`ll “u-topos,” D=_$a $nte, Hold!- ?erlin, Cézanne… t*.*he cam(-era :*m. o]vement, rec-alling Sisyp@\h?,us, in the fi`*l/% m’s lon)@_g shot, s, su #^\g[/#gests its diff-:i _/= cu lty. In -=O$ somma luce, ? with Gi orgio Pas.?serone’s Da.[ nt$:e a):%?nd th;?e vers.^ e t:?_hat concl-uded th;$e + Divi+ne C([\om ^! edy, we find at th e extrem^ity of [@ its po/!ssi%@-bil? ities, t% he #almos:/t happy sp/eech of a man who h? as j\/@[+ust left )? eart:.hly,` paradise, who tri_ `es /, ;[;.t ,o fully realize the^( pot (e_#n tial of/. * hi!\s nature. B` e,^twee .n the- t^ #wo we find the ! stor)\ (y of t\`h:(e !(world. The first . Je. an-Mar*[[ie Str% aub film sh%^o)t in HD. So sing\ular are th (]e textual w /orking method[/\s o ^f Straub-?@Huille /t, an \=`d now Straub on -@\his ow n,_ that it`- i\s hard to grasp : how fa#r- r+ e achi)ng -they are._=% ]Direction is a matter +* of? words a nd spe ech, n- ?o \ t emotions and action. No` ` thing happens \at t.@!he edges, every@ _*thing; \;` is at the core and shines from th$,ere( alon -e. =% During ?_`%the re(@]hearsal(s we ]\se; [ nse a slow process by which ingredients (a text, a?_-^ctors, an- i)ntuition) pro:gre $ !ss towa ])rd#^s cohes,,\iv?,en,ess. I[*t is, f o_(rgi+v- e th. e :\comp!^ a+( rison, like the kn+ead*+:]ing of dough. It is the *assem-=^bling and \ $wo(//r king of so)mething (until it becomes] someth)ing else…_ (and, in = / this] ca]se, starts to shine. Actu$$ally it’s very simple, it’s just a; que stion ` +of opening .up to ])the/ )[$(light material :$.t hat has been sealed up. Here,:^= the pro`-.-ces-(s of kneading i._\s t_-o b ring t );=o life and #+ then^ reveal. *The ma `ter$@$(i#^`al t$hat is w ]orke #/d`.) on $is spee ch^*. So i-_ t is speech that become\s visible—nothing else. “Logos ” comes ?.t/ o the /ci?+_!nema. The ) m!( i_ se ?_;en scène of what `-*words exac_ ** tly? ^ Th]!e process of revealing, “@phai, n]-estai” “phai!,nomeno n,” *the phenomenon, is w:^hat take s*-plac e, what be comes vi=^ si ), #ble ,%!to the eye. !Is “Stra#%u[ bie`;*\” Gre! ece *; ? This mise _^ en sc ène of speech, whic/h go[es+ [,b^e ]yond a clos^!]e ^_reading of the chosen/ tex=t, is/# tr]uly comes from a distant sou,( rce.—Ba)rbara U=?lrich
剧情简介
【O somma%/ ?_ l [uce】 转$[*`自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub “The end %^of p!*a radise on ea; rth.”—=`@Jean_(!-Mari;;e Str::aub ` Th)_e)%,; :33rd ve(# r =s` e , - :an*$. %d last cha- nt of “paradise” ) / in D:\ante’s Di^v*#ine Comedy.=^ , The film (_starts with verse 67,+[] “/)O; somma luce…”!+ and continues to^ ) t@?he e,$nd:!. “O Somma luce (” recal:]$ls :_the f -/(irst wo@,rd s utt) ered by Emped!`o :$c/les in D anièle Huill+#et `and Jean-Ma.*rie Straub’s* 19+\`^87 T(+he Dea!#th of %Empedoc`=les—“O himmlisch Licht!…” (O heavenl=,!y light!). This extract fro ,m `Hölderli.n’s text is also insert ed i*+nt+ o t!heir ::19-]%[8- %9 fil*m Cézanne. -* “O somma luce” : inv ]okes u@. )top$- ia, ) , or be*:.tter sti,`ll “u-topos,” D=_$a $nte, Hold!- ?erlin, Cézanne… t*.*he cam(-era :*m. o]vement, rec-alling Sisyp@\h?,us, in the fi`*l/% m’s lon)@_g shot, s, su #^\g[/#gests its diff-:i _/= cu lty. In -=O$ somma luce, ? with Gi orgio Pas.?serone’s Da.[ nt$:e a):%?nd th;?e vers.^ e t:?_hat concl-uded th;$e + Divi+ne C([\om ^! edy, we find at th e extrem^ity of [@ its po/!ssi%@-bil? ities, t% he #almos:/t happy sp/eech of a man who h? as j\/@[+ust left )? eart:.hly,` paradise, who tri_ `es /, ;[;.t ,o fully realize the^( pot (e_#n tial of/. * hi!\s nature. B` e,^twee .n the- t^ #wo we find the ! stor)\ (y of t\`h:(e !(world. The first . Je. an-Mar*[[ie Str% aub film sh%^o)t in HD. So sing\ular are th (]e textual w /orking method[/\s o ^f Straub-?@Huille /t, an \=`d now Straub on -@\his ow n,_ that it`- i\s hard to grasp : how fa#r- r+ e achi)ng -they are._=% ]Direction is a matter +* of? words a nd spe ech, n- ?o \ t emotions and action. No` ` thing happens \at t.@!he edges, every@ _*thing; \;` is at the core and shines from th$,ere( alon -e. =% During ?_`%the re(@]hearsal(s we ]\se; [ nse a slow process by which ingredients (a text, a?_-^ctors, an- i)ntuition) pro:gre $ !ss towa ])rd#^s cohes,,\iv?,en,ess. I[*t is, f o_(rgi+v- e th. e :\comp!^ a+( rison, like the kn+ead*+:]ing of dough. It is the *assem-=^bling and \ $wo(//r king of so)mething (until it becomes] someth)ing else…_ (and, in = / this] ca]se, starts to shine. Actu$$ally it’s very simple, it’s just a; que stion ` +of opening .up to ])the/ )[$(light material :$.t hat has been sealed up. Here,:^= the pro`-.-ces-(s of kneading i._\s t_-o b ring t );=o life and #+ then^ reveal. *The ma `ter$@$(i#^`al t$hat is w ]orke #/d`.) on $is spee ch^*. So i-_ t is speech that become\s visible—nothing else. “Logos ” comes ?.t/ o the /ci?+_!nema. The ) m!( i_ se ?_;en scène of what `-*words exac_ ** tly? ^ Th]!e process of revealing, “@phai, n]-estai” “phai!,nomeno n,” *the phenomenon, is w:^hat take s*-plac e, what be comes vi=^ si ), #ble ,%!to the eye. !Is “Stra#%u[ bie`;*\” Gre! ece *; ? This mise _^ en sc ène of speech, whic/h go[es+ [,b^e ]yond a clos^!]e ^_reading of the chosen/ tex=t, is/# tr]uly comes from a distant sou,( rce.—Ba)rbara U=?lrich
《O somma%/ ?_ l [uce》是让-马里·斯特劳布于2010年创作的一部经典剧情片作品， 由Giorgio Passerone等主演，在法国播出后引发了不少观众的讨论和好评。 影片通过 转$[*`自：http://www.filmlinc.com/nyff/2…， 展现了创作者对于现实生活与情感世界的观察，因此常被不少观众称为“值得二刷、三刷”的剧情片。
很多影迷之所以推荐《O somma%/ ?_ l [uce》， 是因为片中无论是故事线的推进，还是演员之间的对手戏，都有着比较强的张力和代入感。 当你跟随剧情慢慢深入时，会发现每个角色的选择背后都有其不得不如此的原因， 这也让整部作品在娱乐性之外，多了一层对现实与人性的思考空间。
从类型角度来看，《O somma%/ ?_ l [uce》既保留了剧情片应有的节奏和看点， 又在细节上做了不少打磨：节奏方面尽量避免无意义的拖沓桥段，人物塑造上也不简单脸谱化， 而是通过多场戏份逐步丰富角色背景，让观众在追看的过程中逐渐理解他们的选择与矛盾， 从而对这部作品产生更深层次的情感共鸣。
如果你正在寻找一部既有故事性，又具备一定思考深度的剧情片， 那么《O somma%/ ?_ l [uce》会是一个不错的选择。 无论是想在闲暇时间放松心情，还是希望通过剧情获得一些情绪上的共鸣与释放， 这部作品都能够在不同程度上满足你的观看需求，值得在dancihu（dancihu.bgswjd.com/detail-9788.html）完整看完。